Emilie and Rosalie were together in the room in which Claude had so
often been welcomed by a charming family picture. The doctor had
evidently just gone, for there was a strong smell of carbolic acid, like
that left by rebandaging. A bottle bearing a red label was standing on
the table with a saucer beside it, and close by lay a small heap of
square pieces of cotton. A packet of linen bandages, some strips of
plaster, a pot of ointment labelled red like the bottle and covered with
tinfoil, some nursery pins, and a stamped prescription gave the room the
appearance of a hospital ward. Emilie's pallor revealed more than words
what she had gone through during the past forty-eight hours. The sight
of Claude produced the same effect upon her as upon Françoise. His mere
presence recalled to her the old days when she had been so proud of her
René.
She burst into tears, and, giving him her hand, said: 'You were right!'
Rosalie had darted a look at the visitor charging him as plainly as
possible with René's attempted suicide. Her eyes expressed such deep
hatred and their meaning was so fully in keeping with Claude's secret
remorse that he turned his own eyes away, and asked, after a moment's
silence, 'Can I see him?'
'Not to-day,' replied Emilie, 'he is so weak. The doctor fears the least
excitement.' She added, 'My uncle will tell you how he is now.'
'When did this happen? I only heard of it from the papers.'
'Has it got into the papers?' said Emilie. 'I tried so hard that it
should not.'
'A few lines of no importance,' replied Claude, guessing the truth from
Rosalie's sudden change of colour. Old Offarel had a young man under him
in the War Office who was connected with the Press, and whom Larcher
knew. The _sous-chef_ had no doubt been gossiping, and his daughter had
already got to hear of it. Larcher made an attempt to gain fresh favour
in Rosalie's eyes by allaying Madame Fresneau's suspicions. 'The
reporters ferret out everything,' he said; 'no one who is the least bit
known can escape them. But,' he continued, 'what are the details?'
Public-domain text, read in full here on John Shaqi.
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