For some minutes the two men walked side by side in silence. The Abbé
Taconet had always inspired Larcher with respect. His was one of those
spotless natures which form such a contrast to the ordinary low standard
of morality that their mere existence is a standing reproach to a man of
the period like the writer, given up to vice though craving for the
ideal. Even now, as the Abbé walked beside him with his somewhat heavy
tread, Claude looked at him and thought of the moral gulf that separated
them. The director of the Ecole Saint-André was a tall, strong-looking
man of about fifty. At first sight there was nothing in his robust
corpulence to betray the asceticism of his life. His rounded cheeks and
ruddy complexion might even have lent him an air of joviality had not
the serious lines of his mouth and the usually serene look in his eyes
corrected this impression. The sort of imagination found in true
artists, and which, elaborated by heredity, had produced the morbid
melancholy of René's mother, the poet's own talent, his delight in all
things brilliant, and even Emilie's inordinate affection for her
brother--that imagination which will not allow the mind to be satisfied
with the present and the positive, but which paints all objects in too
bright or too dark a colour--this dangerous yet all-powerful faculty had
also its reflex in the eyes of the priest. But Catholic discipline had
corrected its excesses as deep faith had sanctified its use. The
serenity of his piercing glance was that of a man who has lain down at
night and risen each morning for years together with but one idea, and
that--of self-sacrifice.
Claude was well acquainted with the precise terms in which this idea was
couched, and to which the Abbé Taconet always reverted in his
conversation--the salvation of France by the aid of Christianity. Such
was, according to this robust worker in moral spheres, the task laid
down in our day for all Frenchmen who were willing to undertake it.
Claude was also aware of the hopes this truly eminent priest had
cherished concerning his nephew. How often had he heard him say 'France
has need of Christian talent'! He therefore looked at him with
particular curiosity, discovering in his usually calm face a trace of
anxiety--he would almost have called it an expression of doubt. They
were walking along the Rue d'Assas, and were just about to cross the Rue
de Rennes, when the Abbé stopped and turned to his companion.
'My niece tells me you know the woman who has driven my nephew to this
desperate act. God has not permitted the poor boy to disappear in this
fashion. The body will be healed, but the soul must not be allowed to
relapse. What is she?'
'What all women are,' replied the writer, unable to resist the pleasure
of displaying before the priest his pretended knowledge of the human
heart.
Public-domain text, read in full here on John Shaqi.
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