'He will save René,' he said, as he saw the good Christian's robe
disappear across the threshold that he had himself so often crossed in
less happy days. His thoughts became singularly serious and sad, and as
his steps wandered almost mechanically towards his rooms in the Rue de
Varenne, where he had not put in an appearance for several days, he
allowed his mind to dwell upon the ideas awakened by the conversation
and the life of the priest. The feeling of physical beatitude
experienced two hours ago on Colette's balcony had fled. All the
wretchedness of the undignified life he had been leading for the past
two years came home to him, and looked still more wretched when compared
with the hidden glory of the perfect life of duty he had been privileged
to behold.
His disgust grew stronger when he found himself in his own rooms,
recalling, as they did, the memories of so many hours of shame and pain.
A score of visions rose up before him illustrating the drama in which he
had played a part--René reading the manuscript of the 'Sigisbée,' the
first performance at the Comédie Française, the _soirée_ at Madame
Komof's, Suzanne's appearance in her red gown, and Colette in his rooms
on the day after the _soirée_; then René telling him of his visit to
Madame Moraines, his own departure for Venice, his return, the scenes to
which it had led, and the two parallel passions that had sprung up in
his heart and René's, ending with the attempted suicide of the one and
the abasement of the other. 'The Abbé is right,' he thought; 'all this
is filth.' He went on with his soliloquy. 'Yes, the Abbé will save
René; he will compel him to go for a tour of six months or a year as
soon as he is better, and he will come back rid of this horrible
nightmare. He is young--a heart of twenty-five is such a vigorous and
hardy plant. Who knows? He may perhaps be moved by Rosalie's love and
marry her. Anyhow, he will triumph. He has suffered, but he has not
debased himself. But I?'
In a few moments he had drawn up a statement of his actual
position--well over thirty-five years of age, not a single reason for
remaining alive, disorder within and disorder without, in his health and
in his thoughts, in his money matters and in his love affairs, an
absolute conviction of the emptiness of literature and the degrading
power of passion, coupled with sheer inability to turn aside from the
profession of letters or to give up his libertine life.
Public-domain text, read in full here on John Shaqi.
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