She looked at him as if his words surprised her. In her eyes was that
look of rapt and involuntary astonishment worn by a woman when she
suddenly discovers in a man a shade of sentimentalism which she believed
to be restricted to her own sex.
'I think we shall soon become friends,' she said, 'for there is much in
our hearts that is similar. Are you like me? I believe in sympathy and
antipathy by sheer instinct, and I think I can also feel when people
don't like me. Now--perhaps I am wrong in telling you this, but I speak
to you in confidence, as if I had known you a long time--there is your
friend Monsieur Larcher; I am sure that he doesn't like me.'
She was really agitated as she said this, for she was now about to learn
for certain, not whether Claude had been speaking ill of her--she knew
he had not by René's face--but whether the poet could hold his tongue.
She was well aware that in a love affair the dangerous time for
imprudent confidences lies at the beginning and the end. Your only sure
men are those who can keep their peace when their hearts are overflowing
with hope or bitterness. By René's reply she would be able to judge an
important trait in his character, and one that was a principal factor in
the plan that she had madly and rapidly evolved. It was only natural
that he should have confided his passion to Claude on the very day of
its birth--and he would have done so, too, had it not been for Colette's
presence. This detail was, of course, unknown to Suzanne, and René's
silence was a promise of prudence that set her heart beating.
'We have never mentioned your name,' said the poet; 'but, as you
remarked only too justly the other evening, he has always been
particularly unfortunate in his love affairs, and he cannot shake his
troubles off. If you could but see how he carries on with the woman he
is miserably in love with at the present moment!'
'That is no reason,' said Suzanne, 'why he should revenge himself by
forcing his attentions upon any woman chance throws in his way. I got
quite angry one day when he was seated next to me at table. I heard,
too, that he had been speaking ill of me, but I have forgiven him.'
'And now Claude may say what he likes,' she thought when René had gone
after promising to come again in three days' time and to bring his
collection of unpublished poems. Then she looked at herself in the glass
with unfeigned satisfaction. The interview had been a success; she had
made the poet understand that she could not receive him in the ordinary
way; she had put him on his guard against his best friend, and she had
completed her capture of his heart.
'He is mine,' she cried, and this time her joy was sincere and deep.
CHAPTER X
IN THE TOILS
Public-domain text, read in full here on John Shaqi.
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