'Her teeth are not in the least clenched. She is in perfect
good-humour.'
'Well, we must try and keep her so,' I said. 'You must take care that
Jasper neglects nothing.'
I know not what reflection this innocent pleasantry of mine provoked on
the good lady's part; the upshot of them at all events was to make her
say--'Well, I never asked her to come; I'm very glad of that. It is all
their own doing.'
'Their own--you mean Jasper's and hers?'
'No indeed. I mean her mother's and Mrs. Allen's; the girl's too of
course. They put themselves upon us.'
'Oh yes, I can testify to that. Therefore I'm glad too. We should have
missed it, I think.'
'How seriously you take it!' Mrs. Nettlepoint exclaimed.
'Ah, wait a few days!' I replied, getting up to leave her.
III
The _Patagonia_ was slow, but she was spacious and comfortable, and
there was a kind of motherly decency in her long, nursing rock and her
rustling, old-fashioned gait. It was as if she wished not to present
herself in port with the splashed eagerness of a young creature. We were
not numerous enough to squeeze each other and yet we were not too few to
entertain--with that familiarity and relief which figures and objects
acquire on the great bare field of the ocean, beneath the great bright
glass of the sky. I had never liked the sea so much before, indeed I had
never liked it at all; but now I had a revelation of how, in a midsummer
mood, it could please. It was darkly and magnificently blue and
imperturbably quiet--save for the great regular swell of its
heart-beats, the pulse of its life, and there grew to be something so
agreeable in the sense of floating there in infinite isolation and
leisure that it was a positive satisfaction the _Patagonia_ was not a
racer. One had never thought of the sea as the great place of safety,
but now it came over one that there is no place so safe from the land.
When it does not give you trouble it takes it away--takes away letters
and telegrams and newspapers and visits and duties and efforts, all the
complications, all the superfluities and superstitions that we have
stuffed into our terrene life. The simple absence of the post, when the
particular conditions enable you to enjoy the great fact by which it is
produced, becomes in itself a kind of bliss, and the clean stage of the
deck shows you a play that amuses, the personal drama of the voyage, the
movement and interaction, in the strong sea-light, of figures that end
by representing something--something moreover of which the interest is
never, even in its keenness, too great to suffer you to go to sleep. I,
at any rate, dozed a great deal, lying on my rug with a French novel,
and when I opened my eyes I generally saw Jasper Nettlepoint passing
with his mother's _protegee_ on his arm. Somehow at these moments,
between sleeping and waking, I had an inconsequent sense that they were
a part of the French novel. Perhaps this was because I had fallen into
Public-domain text, read in full here on John Shaqi.
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