The place was arranged for music, and how well arranged he saw later,
when every one was seated, spaciously, luxuriously, without pushing or
over-peeping, and the finest talents in Paris performed selections at
which the best taste had presided. The singers and players were all
stars of the first magnitude. Raymond was fond of music and he wondered
whose taste it had been. He made up his mind it was Dora's--it was only
she who could have conceived a combination so exquisite; and he said to
himself: 'How they all pull together! She is not in it, she is not of
it, and yet she too works for the common end.' And by 'all' he meant
also Mademoiselle Bourde and the Marquise. This impression made him feel
rather hopeless, as if, _en fin de compte_, Cousin Maria were too large
an adversary. Great as was the pleasure of being present on an occasion
so admirably organised, of sitting there in a beautiful room, in a
still, attentive, brilliant company, with all the questions of
temperature, space, light and decoration solved to the gratification of
every sense, and listening to the best artists doing their best--happily
constituted as our young man was to enjoy such a privilege as this, the
total effect was depressing: it made him feel as if the gods were not
on his side.
'And does she do it so well without a man? There must be so many details
a woman can't tackle,' he said to himself; for even counting in the
Marquise and Mademoiselle Bourde this only made a multiplication of
petticoats. Then it came over him that she _was_ a man as well as a
woman--the masculine element was included in her nature. He was sure
that she bought her horses without being cheated, and very few men could
do that. She had the American national quality--she had 'faculty' in a
supreme degree. 'Faculty--faculty,' the voices of the quartette of
singers seemed to repeat, in the quick movement of a composition they
rendered beautifully, while they swelled and went faster, till the thing
became a joyous chant of praise, a glorification of Cousin Maria's
practical genius.
During the intermission, in the middle of the concert, people changed
places more or less and circulated, so that, walking about at this time,
he came upon the Marquise, who, in her sympathetic, demonstrative way,
appeared to be on the point of clasping her hostess in her arms.
'Decidement, ma bonne, il n'y a que vous! C'est une perfection----' he
heard her say. To which, gratified but unelated, Cousin Maria replied,
according to her simple, sociable wont: 'Well, it _does_ seem quite a
successful occasion. If it will only keep on to the end!'
Public-domain text, read in full here on John Shaqi.
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