On the whole he was glad, because it left him free--free to get hold of
her mother, which by this time he had boldly determined to do. The
conception was high, inasmuch as Cousin Maria's attention was obviously
required by the ambassadors and other grandees who had flocked to do her
homage. Nevertheless, while supper was going on (he wanted none, and
neither apparently did she), he collared her, as he phrased it to
himself, in just the right place--on the threshold of the conservatory.
She was flanked on either side with a foreigner of distinction, but he
didn't care for her foreigners now. Besides, a conservatory was meant
only for couples; it was a sign of her comprehensive sociability that
she should have been rambling among the palms and orchids with a double
escort. Her friends would wish to quit her but would not wish to appear
to give way to each other; and Raymond felt that he was relieving them
both (though he didn't care) when he asked her to be so good as to give
him a few minutes' conversation. He made her go back with him into the
conservatory: it was the only thing he had ever made her do, or probably
ever would. She began to talk about the great Gregorini--how it had been
too sweet of her to repeat one of her songs, when it had really been
understood in advance that repetitions were not expected. Raymond had no
interest at present in the great Gregorini. He asked Cousin Maria
vehemently if she remembered telling him in New York--that night at the
hotel, five years before--that when he should have followed them to
Paris he would be free to address her on the subject of Dora. She had
given him a promise that she would listen to him in this case, and now
he must keep her up to the mark. It was impossible to see her alone,
but, at whatever inconvenience to herself, he must insist on her giving
him his opportunity.
'About Dora, Cousin Raymond?' she asked, blandly and kindly--almost as
if she didn't exactly know who Dora was.
'Surely you haven't forgotten what passed between us the evening before
you left America. I was in love with her then and I have been in love
with her ever since. I told you so then, and you stopped me off, but you
gave me leave to make another appeal to you in the future. I make it
now--this is the only way I have--and I think you ought to listen to it.
Five years have passed, and I love her more than ever. I have behaved
like a saint in the interval: I haven't attempted to practise upon her
without your knowledge.'
'I am so glad; but she would have let me know,' said Cousin Maria,
looking round the conservatory as if to see if the plants were all
there.
'No doubt. I don't know what you do to her. But I trust that to-day your
opposition falls--in face of the proof that we have given you of mutual
fidelity.'
'Fidelity?' Cousin Maria repeated, smiling.
'Surely--unless you mean to imply that Dora has given me up. I have
reason to believe that she hasn't.'
Public-domain text, read in full here on John Shaqi.
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