She remained away some time and I talked with her son, who was sociable
but desultory and kept moving about the room, always with his fan, as if
he were impatient. Sometimes he seated himself for an instant on the
window-sill, and then I saw that he was in fact very good-looking; a
fine brown, clean young athlete. He never told me on what special
contingency his decision depended; he only alluded familiarly to an
expected telegram, and I perceived that he was probably not addicted to
copious explanations. His mother's absence was an indication that when
it was a question of gratifying him she had grown used to spare no
pains, and I fancied her rummaging in some close storeroom, among old
preserve-pots, while the dull maid-servant held the candle awry. I know
not whether this same vision was in his own eyes; at all events it did
not prevent him from saying suddenly, as he looked at his watch, that I
must excuse him, as he had to go back to the club. He would return in
half an hour--or in less. He walked away and I sat there alone,
conscious, in the dark, dismantled, simplified room, in the deep silence
that rests on American towns during the hot season (there was now and
then a far cry or a plash in the water, and at intervals the tinkle of
the bells of the horse-cars on the long bridge, slow in the suffocating
night), of the strange influence, half sweet, half sad, that abides in
houses uninhabited or about to become so--in places muffled and
bereaved, where the unheeded sofas and patient belittered tables seem to
know (like the disconcerted dogs) that it is the eve of a journey.
Public-domain text, read in full here on John Shaqi.
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