Adultery -- Fiction; French fiction -- 19th century
"No, but I heard about you," replied the young man, and to himself: "How
Paris has changed her!" He detested her deeply, first because she had
wounded his pride, and then by reason of the infamous conduct of which
he had been guilty towards her. He had boasted of having been her lover,
giving details in proof; it was not true, and he could not forgive her
for the irreparable wrong that he had done her. Ah! if the calumny had
only been like those others that are stated aloud and that it is
possible to grasp! But no, it passes from ear to ear and from lip to lip
until it reaches a man who might have loved this woman, and whose heart
is stayed, suddenly paralysed by the terrible uncertainty concerning the
answer to the question: "Has she that in her past?"
To the young officer's credit it must be said that he had not seen so
far. He had yielded to the hideous spite of masculine vanity, and it was
again this vanity which, on Helen's unexpected reception of him,
prompted him to murmur an interrogative "Eh?" and immediately to begin
again the love-comedy that had formerly been played. A waltz was
sounding--the waltz of _Faust_, for the second of the young Malhoure
ladies was at the piano, and she, the artist of the family, liked people
to dance to classical subjects, whereas the eldest and the youngest, who
prided themselves upon being regular Parisians, doted on popular music,
and airs from the operettas and musical cafés.
"May I have the honour of this waltz, madame?" asked De Varades of
Helen.
"Was I engaged or was I not?" said the latter. "So much the worse! I
restore you your liberty," she added, addressing the young man who had
accompanied her to the refreshment room, but who through timidity did
not venture to remind her of the promise she had given of dancing with
himself; and immediately she was whirling round in the ball-room in the
arms of De Varades.
She was whirling round, prettier than ever with the feverish pink that
coloured her cheeks and imparted to them a tint similar to that of her
stockings, her skirt, and her corsage. The two patches at the corner of
her cheek, her black eyes, and her powdered hair, clothed her with a
sovereign grace that, apart from feelings of pride, stirred old longings
in the young man's heart. He was speaking to her while they danced. She
listened to him with--strange contrast!--Armand's image before her
thoughts. "If he could see me," she said to herself, "he would have
doubts no longer, he would triumph. Well! what does that matter to me?"
Public-domain text, read in full here on John Shaqi.
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