Adultery -- Fiction; French fiction -- 19th century
She was standing thus beside the table in the refreshment room, fanning
herself with one hand, and holding in the other the cup containing the
last golden drops of the drink whose vague enervation was pleasant to
her; her partner, an insignificant and sufficiently correct young man,
who was quite proud of having promenaded with her on his arm, was trying
to talk; he was speaking of the new play, a middle-class comedy which
Monsieur de Querne had cruelly ridiculed one evening, and Helen was
replying with praise of a work which hitherto on her lover's authority
she had considered detestable. At the mere mention of the actors' names
and the title of the play, she could see herself in a box beside him,
and a flame coursed through her blood as she suddenly heard close to her
a voice that completed her emotion--that voice?--no, but the voice of
Monsieur de Varades, of the man who had exercised so fatal an influence
upon the destiny of her love, the voice of him whose name Armand had
flung in insult into her teeth during the scene of their rupture. By
what cruel mystery of fate was the officer here, almost within two steps
of her, and talking without appearing to see her?
Had she been able to reflect for a moment she would have deemed the
presence of old Malhoure's former pupil as natural as her own. Was she
not at this ball as the wife of an old fellow-student of De Varades? She
would also have reflected that living for months and months, as she had
done, apart from the society frequented by her husband, she was ignorant
of the movements of Alfred's companions. But in her present state of
morbid over-excitement, this sudden meeting struck her with a sort of
almost terror-stricken stupor, which was immediately replaced by a fresh
sweep of her secret grief, of that maddening grief which made her long
to cry _Fire!_ and _Murder!_
Public-domain text, read in full here on John Shaqi.
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