France -- Social life and customs -- 19th century -- Fiction; Women -- Psychology -- Fiction
“You will marry an honest man, who will be a father to Jeanne, and will
lead you back to the path of goodness.”
“But I do not love him. Gracious Heaven! I do not love him!”
“You will love him, my daughter. He loves you, and he is good in
heart.”
Hélène struggled, and her voice sank to a whisper as she heard the
slight noise that Monsieur Rambaud made behind them. He was so patient
and so strong in his hope, that for six months he had not once intruded
his love on her. Disposed by nature to the most heroic self-sacrifice,
he waited in serene confidence. The Abbé stirred, as though about to
turn round.
“Would you like me to tell him everything? He would stretch out his
hand and save you. And you would fill him with joy beyond compare.”
She checked him, utterly distracted. Her heart revolted. Both of these
peaceful, affectionate men, whose judgment retained perfect equilibrium
in presence of her feverish passion, were sources of terror to her.
What world could they abide in to be able to set at naught that which
caused her so much agony? The priest, however, waved his hand with an
all-comprehensive gesture.
“My daughter,” said he, “look on this lovely night, so supremely still
in presence of your troubled spirit. Why do you refuse happiness?”
All Paris was now illumined. The tiny dancing flames had speckled the
sea of shadows from one end of the horizon to the other, and now, as in
a summer night, millions of fixed stars seemed to be serenely gleaming
there. Not a puff of air, not a quiver of the atmosphere stirred these
lights, to all appearance suspended in space. Paris, now invisible, had
fallen into the depths of an abyss as vast as a firmament. At times, at
the base of the Trocadero, a light—the lamp of a passing cab or
omnibus—would dart across the gloom, sparkling like a shooting star;
and here amidst the radiance of the gas-jets, from which streamed a
yellow haze, a confused jumble of house-fronts and clustering
trees—green like the trees in stage scenery—could be vaguely discerned.
To and fro, across the Pont des Invalides, gleaming lights flashed
without ceasing; far below, across a band of denser gloom, appeared a
marvellous train of comet-like coruscations, from whose lustrous tails
fell a rain of gold. These were the reflections in the Seine’s black
waters of the lamps on the bridge. From this point, however, the
unknown began. The long curve of the river was merely described by a
double line of lights, which ever and anon were coupled to other
transverse lines, so that the whole looked like some glittering ladder,
thrown across Paris, with its ends on the verge of the heavens among
the stars.
Public-domain text, read in full here on John Shaqi.
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