France -- Social life and customs -- 19th century -- Fiction; Women -- Psychology -- Fiction
It is barely fair to an author to give him the credit of knowing
something about the proper relative proportions of his characters. And
so, although Dr. Deberle is somewhat shadowy, he certainly serves the
author’s purpose, and—well, Dr. Deberle is not the hero of “An Episode
of Love.” Rambaud and the good Abbé Jouve are certainly strong enough.
There seems to be a touch of Dickens about them.
Cities sometimes seem to be great organisms. Each has an individuality,
a specific identity, so marked, and peculiarities so especially
characteristic of itself, that one might almost allow it a soul. Down
through the centuries has fair Lutetia come, growing in the artistic
graces, until now she stands the playground of princes and the capital
of the world, even as mighty Rome among the ancients. And shall we
object, because a few pages of “A Love Episode” are devoted to
descriptions of Paris? Rather let us be thankful for them. These
descriptions of the wonderful old city form a glorious pentatych. They
are invaluable to two classes of readers, those who have visited Paris
and those who have not. To the former they recall the days in which the
spirit of the French metropolis seemed to possess their being and to
take them under its wondrous spell. To the latter they supply hints of
the majesty and attractiveness of Paris, and give some inkling of its
power to please. And Zola loved his Paris as a sailor loves the sea.
C. C. STARKWEATHER.
Public-domain text, read in full here on John Shaqi.
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