France -- Social life and customs -- 19th century -- Fiction; Women -- Psychology -- Fiction
gathering remained with the girls, some of whom, clustering in groups,
stirred about in such a way as to threaten destruction to their chairs,
and chattered so loudly that the grown-up folks could no longer hear
one another speaking. And all eyes were intently gazing at the red
curtain.
Slowly was it drawn aside, and in the recess of the doorway appeared a
puppet-show. There was a hushed silence. Then all at once Punch sprang
in, with so ferocious a yell that baby Guiraud could not restrain a
responsive cry of terror and delight. It was one of those bloodthirsty
dramas in which Punch, having administered a sound beating to the
magistrate, murders the policeman, and tramples with ferocious glee on
every law, human and divine. At every cudgelling bestowed on the wooden
heads the pitiless audience went into shrieks of laughter; and the
sharp thrusts delivered by the puppets at each other’s breasts, the
duels in which they beat a tattoo on one another’s skulls as though
they were empty pumpkins, the awful havoc of legs and arms, reducing
the characters to a jelly, served to increase the roars of laughter
which rang out from all sides. But the climax of enjoyment was reached
when Punch sawed off the policeman’s head on the edge of the stage; an
operation provocative of such hysterical mirth that the rows of
juveniles were plunged into confusion, swaying to and fro with glee
till they all but fell on one another. One tiny girl, but four years
old, all pink and white, considered the spectacle so entrancing that
she pressed her little hands devoutly to her heart. Others burst into
applause, while the boys laughed, with mouths agape, their deeper
voices mingling with the shrill peals from the girls.
“How amused they are!” whispered the doctor. He had returned to his
place near Hélène. She was in high spirits like the children. Behind
her, he sat inhaling the intoxicating perfume which came from her hair.
And as one puppet on the stage dealt another an exceptionally hard
knock she turned to him and exclaimed: “Do you know, it is awfully
funny!”
The youngsters, crazy with excitement, were now interfering with the
action of the drama. They were giving answers to the various
characters. One young lady, who must have been well up in the plot, was
busy explaining what would next happen.
“He’ll beat his wife to death in a minute! Now they are going to hang
him!”
The youngest of the Levasseur girls, who was two years old, shrieked
out all at once:
“Mamma, mamma, will they put him on bread and water?”
All sorts of exclamations and reflections followed. Meanwhile Hélène,
gazing into the crowd of children, remarked: “I cannot see Jeanne. Is
she enjoying herself?”
Then the doctor bent forward, with head perilously near her own, and
whispered: “There she is, between that harlequin and the Norman peasant
maiden! You can see the pins gleaming in her hair. She is laughing very
heartily.”
Public-domain text, read in full here on John Shaqi.
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