France -- Social life and customs -- 19th century -- Fiction; Women -- Psychology -- Fiction
She threw herself into the midst of the quadrille, caught hold of two
of them, one grasping her right hand the other her left, and managed to
infuse such life into the dance that the wooden flooring creaked
beneath them. The only sounds now audible rose from the hurrying hither
and thither of tiny feet beating wholly out of time, the piano alone
keeping to the dance measure. Some more of the older people joined in
the fun. Hélène and Madame Deberle, noticing some little maids who were
too bashful to venture forth, dragged them into the thickest of the
throng. It was they who led the figures, pushed the lads forward, and
arranged the dancing in rings; and the mothers passed them the youngest
of the babies, so that they might make them skip about for a moment,
holding them the while by both hands. The ball was now at its height.
The dancers enjoyed themselves to their hearts’ content, laughing and
pushing each other about like some boarding school mad with glee over
the absence of the teacher. Nothing, truly, could surpass in unalloyed
gaiety this carnival of youngsters, this assemblage of miniature men
and women—akin to a veritable microcosm, wherein the fashions of every
people mingled with the fantastic creations of romance and drama. The
ruddy lips and blue eyes, the faces breathing love, invested the
dresses with the fresh purity of childhood. The scene realized to the
mind the merrymaking of a fairy-tale to which trooped Cupids in
disguise to honor the betrothal of some Prince Charming.
“I’m stifling!” exclaimed Malignon. “I’m off to inhale some fresh air.”
As he left the drawing-room he threw the door wide open. The daylight
from the street then entered in a lurid stream, bedimming the glare of
lamps and candles. In this fashion every quarter of an hour Malignon
opened the door to let in some fresh air.
Public-domain text, read in full here on John Shaqi.
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