France -- Social life and customs -- 19th century -- Fiction; Women -- Psychology -- Fiction
Beneath the flaming vault of heaven lay Paris, a mass of yellow,
striped with huge shadows. On the vast square below Hélène, in an
orange-tinted haze, cabs and omnibuses crossed in all directions,
amidst a crowd of pedestrians, whose swarming blackness was softened
and irradiated by splashes of light. The students of a seminary were
hurrying in serried ranks along the Quai de Billy, and the trail of
cassocks acquired an ochraceous hue in the diffuse light. Farther away,
vehicles and foot-passengers faded from view; it was only by their
gleaming lamps that you were made aware of the vehicles which, one
behind the other, were crossing some distant bridge. On the left the
straight, lofty, pink chimneys of the Army Bakehouse were belching
forth whirling clouds of flesh-tinted smoke; whilst, across the river,
the beautiful elms of the Quai d’Orsay rose up in a dark mass
transpierced by shafts of light.
The Seine, whose banks the oblique rays were enfilading, was rolling
dancing wavelets, streaked with scattered splashes of blue, green, and
yellow; but farther up the river, in lieu of this blotchy coloring,
suggestive of an Eastern sea, the waters assumed a uniform golden hue,
which became more and more dazzling. You might have thought that some
ingot were pouring forth from an invisible crucible on the horizon,
broadening out with a coruscation of bright colors as it gradually grew
colder. And at intervals over this brilliant stream, the bridges, with
curves growing ever more slender and delicate, threw, as it were, grey
bars, till there came at last a fiery jumble of houses, above which
rose the towers of Notre-Dame, flaring red like torches. Right and left
alike the edifices were all aflame. The glass roof of the Palais de
l’Industrie appeared like a bed of glowing embers amidst the
Champs-Elysees groves. Farther on, behind the roof of the Madeline, the
huge pile of the Opera House shone out like a mass of burnished copper;
and the summits of other buildings, cupolas, and towers, the Vendome
column, the church of Saint-Vincent de Paul, the tower of
Saint-Jacques, and, nearer in, the pavilions of the new Louvre and the
Tuileries, were crowned by a blaze, which lent them the aspect of
sacrificial pyres. The dome of the Invalides was flaring with such
brilliancy that you instinctively feared lest it should suddenly topple
down and scatter burning flakes over the neighborhood. Beyond the
irregular towers of Saint-Sulpice, the Panthéon stood out against the
sky in dull splendor, like some royal palace of conflagration reduced
to embers. Then, as the sun declined, the pyre-like edifices gradually
set the whole of Paris on fire. Flashes sped over the housetops, while
black smoke lingered in the valleys. Every frontage turned towards the
Trocadero seemed to be red-hot, the glass of the windows glittering and
emitting a shower of sparks, which darted upwards as though some
invisible bellows were ever urging the huge conflagration into greater
activity.
Public-domain text, read in full here on John Shaqi.
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