Another simple method is to place the thumbs close together in such a
manner that the nail of one overlaps the other a trifle. Then while the
thumbs are pressed hard on the table if one nail is slipped up or down
distinct raps are produced which seem to come from the top of the table.
Some mediums produce raps by slipping a knee up and down against a
table leg. Others have been known to fasten blocks of wood to the knee
under the skirt and rap on the table leg with a sidewise motion of the
knee. Still others strike the table leg with the heel of the shoe or
press the side of the heel against the table leg and by moving the heel
up and down the friction of the leather against the wood produces raps.
[Illustration: TUBE AND PISTON ARRANGEMENT FOR MAKING RAPS.]
Many mediums will not depend on these methods but use more complicated
ones which produce the raps by means of mechanical devices which they
conceal about their person. One of these consists of a small hollow
metal tube in which a long, heavy burlap needle is arranged to move
up and down like a piston, and attached to it to operate it a stout
black thread. The tube is fastened to the inner side of a trouser
leg. The free end of the thread is brought out through a seam and an
inconspicuous little hook attached. After being seated at the seance
table the medium attaches the little hook to the opposite trouser leg
and draws on it until the needle point comes through the cloth. He then
watches an opportunity to press on to the point of the needle a cork to
which has been attached a piece of lead. This accomplished, all he has
to do is to place the knee in the proper relation to the table and by
moving the other back and forth the piston is made to work up and down,
causing the leaded cork to rap out all sorts of messages.
[Illustration: RAPPING MECHANISM IN HEEL OF MEDIUM’S SHOE.]
Another ingenious mechanical contrivance is built into the heel of the
medium’s shoe and operated electrically by running a wire from it up
through the sole of the shoe and passing it between the back of the
shoe and the foot and so on up the leg to batteries concealed in a
pocket. By placing this heel against a table leg the raps can be made
to sound as though coming from the middle of the table and with a
proper amount of “suggestion” the sitters can be made to believe that
the mysterious taps are produced in turn under each pair of hands on
the table.
Public-domain text, read in full here on John Shaqi.
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