“_The two plates were taken from the same packet, loaded into the dark
slide at the same time, with the same dark room light and the same
distance from the light. They were then exposed on the same subject
immediately after each other; the same length of exposure being given
(I counted them mentally) with the same aperture of lens. The plates
were then placed side by side in the same dish of developer and I
contend that the image must come up at a uniform speed on both plates
and that it is impossible for one to flash up before the other and
darken all over unless it was previously exposed, especially when there
was no variation in the light when the exposure was made, it being
three P.M., December 16, clear sky, no sunshine._
“An ‘extra’ did appear on this (one fourth plate). It is a clean shaven
face above mine and drapery hanging from it. On my own three and a half
by two and a half a light splotch is over my face. Mrs. Buxton informed
me that it was a ‘Spirit light’ but Mr. Hope believed he saw the faint
features of a face in it.”
While in Denver, Colorado, in May, 1923, I called one morning on Mr.
Alexander Martin, whom Sir Arthur Conan Doyle had told me was a noted
psychic photographer and a very wonderful man in his particular line.
Doyle himself had called on Martin the day before but as Martin did not
feel in the mood there had been no demonstration. In this Sir Arthur
was no more unfortunate than Hyslop, the eminent Psychic investigator,
who, according to Sir Arthur, had made a special journey from England
to Denver in order to have a seance with Martin but had not been
successful.
Martin lived about fifteen minutes out of town by taxi. I took with
me my chief assistant, James Collins, so I would have a witness if
anything of a psychic nature occurred. Collins had my camera as I
wanted at least to get a picture of Martin. We found him standing in
the doorway of a rear building and after I introduced myself he seemed
cordial. I showed him some Spirit photographs which I had with me and
after a few minutes talk I asked him if he was willing that Collins
should take a snap-shot at us. He thought I was asking for a sitting
and replied that he did not feel good and besides had been engaged to
take the pictures of the children in two schools. I kept on talking
in my most entertaining manner and before long he invited us into the
house saying he would photograph both of us. Meanwhile Collins had
secured five snap-shots at close range without Martin knowing it.
When we went into the house I walked right into the dark room but
Martin called me saying:
“Now don’t you go in there, just wait a minute.”
Public-domain text, read in full here on John Shaqi.
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