A Maid of Brittany: A RomanceKnowles, Mabel Winifred
History
A Maid of Brittany: A Romance
Knowles, Mabel Winifred
Brittany (France) -- History -- 1341-1532 -- Fiction
In spite of her passionate indignation and pleading, this man had been
welcomed as an honoured guest by her infatuated brother, who listened
with ready ears to the lame and feeble excuses with which de Coray
strove to explain the past. All was forgiven and forgotten to the
brother of the lovely Diane, and it needed but a brief space for de
Coray to attain a firm command over his future brother-in-law’s weak and
wavering will. That she should be forced into some hateful marriage or
condemned to a convent cell was Gwennola’s daily expectation, but so far
the blow had not fallen. It is true that Maurice de Laferrière still
wooed, but no formal betrothal had taken place. Yet all hopes of a
marriage with her lover were shattered for ever, not only by reason of
France’s threatening attitude towards the persecuted duchy, but because
of the bitter enmity of de Coray, who had successfully persuaded de
Mereac that the Frenchman had been the ally of François Kerden.
No wonder, therefore, that Gwennola’s heart was heavy as she sat,
perforce, alone and solitary, amidst the revelry around.
"A new minstrel!" cried Yvon with a gay laugh. "Nay, my friend, by the
bones of St Yves, thou comest in a fortunate hour. Thy name, good
fellow? and a cup of wine to clear thy throat before thy song."
The stranger bowed as he accepted the cup and glanced towards the
speaker.
"My name, monsieur," he replied in the Breton tongue, "is Jean Marcille,
and my birthplace near to Cape Raz."
"Good," replied the host. "A true Breton; and a Breton ballad of Breton
prowess is ever welcome at the Château de Mereac. Eh, old Antoine? A
new strain will be as welcome to us as a rest is to thee; therefore sing
us a stirring lay, Sir Minstrel, and see that its theme be of love and
war, for of such things all true knights make their dreams and fair
ladies welcome."
Again the minstrel bowed, and, taking his vielle in his hand, swept the
chords ere he began his song, glancing as he did so round the long
board, though his eye seemingly rested on none. He himself was a
sufficiently striking figure to cause interest, especially at the lower
end of the table, where the waiting-women eyed with appreciation the
slight, well-formed figure in its corset of scarlet cloth and wide
hanging sleeves, and the cap of velvet, nearly half a yard in height,
set jauntily on the man’s dark hair, which well matched his bronzed
complexion and black, merry eyes, which seemed to promise a boon
companion of a gay wit and keen tongue.
The visit of such a vielleur was not uncommon to the châteaux of the
great; for although nearly all possessed a minstrel of their own, a
fresh repertoire was always welcomed, music and singing being an almost
necessary accompaniment to the meal.
Public-domain text, read in full here on John Shaqi.
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