Again I find myself hampered, for I cannot translate that performance
through the medium of words. It was the most astounding exhibition I
have ever listened to. His work on the violin had been entirely beyond
the range of my comprehension, but then the dormant possibilities were
in the violin. What was there in this slender reed? Unguessed miracles
of sound! I sat and stared at the grotesque form on the box, wondering
at first if I really was so intoxicated that my imagination was acting
the ally for this vagabond artist. No, the ability of this uncouth
musician was real, and my appreciation was only heightened by the subtle
power of the draught of mountain dew. As I sat and puffed in lazy
contentment, many a woodland pageant passed before my eyes. I saw all
the things for which I had asked, and more. Beneath his hands the dumb
reed became a sentient power; became a living, speaking force. Nature's
infinite secrets dropped from it in purest pearls of sound. I heard the
twitter of birds; the love-call, the anger-cry, the alarm-shriek, the
mother-croon. I heard the wailing sweep of the wind when the storm
gathers and hurls its invisible battalions upon the countless army of
trees. I heard the wordless lisp of the matin zephyr when a new, fresh
breath moves across the world at dawn. I heard the vesper sigh like a
prayer from tired lips. I heard the whistle of the dove's wing in its
startled flight, and the quail's liquid call. I heard the holy hymn of
midnight when the moon hangs big and yellow, and the numberless strings
of the Ancient Harp vibrate softly to her summons. I heard the sweet
purling of running water, and the barely audible echo of an insect's
hum.
I had no word of praise or compliment when Jeff took the pipe from his
lips and carelessly laid it aside. What I had just given ear to was
beyond platitude or fervent adjective; beyond comment. Silence was the
only true meed which might be accorded it, and this I gave.
Jeff sighed, twisted his shoulders as though to rid himself of a cramp,
ran his tongue over his lips, and picked up his bottle.
"Wuz that whut yo' wanted w'en yo' 's talk'n' out o' yo' head?" he
ventured, with a coy, sideways movement of his chin.
I nodded. Here was a combination worthy of profound study. Totally
unlearned, depraved but not debased, with a soul so full of music that
even his besotted state had no power against it. I failed to understand.
Public-domain text, read in full here on John Shaqi.
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