Yorkshire (England) -- Social life and customs -- Fiction
The Marshcotes Moor was bounded, on the side remote from the village,
by a broad stretch of "intake"--sparsely covered grass land, wrested
from the heath by long years of sweat and perseverance. Beyond this
again was an undulating valley, scarcely more than a dip in the moor
plateau, which was full of rushes and swampy tracts, with here and
there a bog. Above this valley lay Gorsthwaite Moor, where ling and
bilberry-plants had less of their own way than on the Marshcotes side;
great patches of gorse dotted the moor, and the sun never rose, summer
or winter, without finding at least a few outstanding spots of yellow
on which to shine.
At one corner of this moor, some two miles away from Marshcotes
village, stood Gorsthwaite Hall, a fine specimen of the grim
architecture in which the old moor squires delighted. The rectangular
windows peered out at you, watchful and cold, from under their rugged
brows of blackened sandstone. The door, plainly fashioned and massive,
seemed to grudge the wonted breadth of entry, though its narrowness was
more in appearance than in fact. The round-topped walls that guarded
its paved courtyard harboured few of the kindly green sorts of mosses,
but they were friends with bleak, grey lichens. The very chimney-stacks
looked stiff and unbending, as if they had little to do with the roof
that supported them; and the water-butt under the eaves, with its round
black belly, was suggestive, in some vague, elusive way, of tragedies
half-forgotten.
Yet Griff and his wife were as merry as the old house was sad. The
spring had come and gone, and summer had run well on into August, and
still they would hug themselves, these two, in the thought of their
isolation. There were a couple of attics at the top of the house,
well-lighted from the roof, which Griff had knocked into one room and
fitted up as a studio. The itch for painting had taken hold of him
with more than its old-time vigour, and the one perpetual ground of
disagreement between Kate and himself was the fact that he would insist
on making some fresh sketch of his wife's face every other day or so.
"What do you find to talk about all your time?" Roddick had snarled one
day.
"We live; we don't talk much about it," Griff had assured him, with a
laugh that was entirely one of satisfaction.
That was just it. He had known wittier women than Kate, and some that
were more beautiful in their own way; but Kate--well, she rounded off
his life for him, and there was an end of it.
Public-domain text, read in full here on John Shaqi.
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