Yorkshire (England) -- Social life and customs -- Fiction
"Only, what I fear is, that I'll be blabbing about the business to
the wife one day," muttered the keeper; "and then it would be as
good as all up with the young miss. What them two would do without
a well-meaning, close-mouthed chap like me to help 'em, beats me. I
wonder what's wrong with this Mr. Roddick, and why they can't make a
clean breast of it to the Captain? It's plain to be seen they're over
ears in love one with t'other; he's just got to that time of life,
has Mr. Roddick, when it does take a man mortal hard if he once let's
himself be collared. Well, well, there'll be a pretty reckoning between
me and the Captain if ever my share in the game comes out."
As for Roddick, the brief message contained in Janet Laverack's note
had altered his mood completely. "I begin to believe in the good-will
nonsense," he said to his pipe. Even so short a spell of solitude as
he had already tried had sufficed to induce the bad habit of talking
aloud. He went and looked out of doors. "A fine day, too--just the
sort of day one always reads about, but which doesn't usually turn
up in practice. Every meeting means so much more sheer madness, but
what of that? We'll make a good day of it, and leave the rest to the
Providence I was kicking at a moment ago."
The ground was too slippery to encourage riding. He swallowed some
food standing, and set off on foot at a brisk pace across Ling Crag
Moor. Thence he gained Marshcotes Moor, struck into an ill-defined
track that brought him out at Sorrowstones Spring, went a little way
down the highroad at this point, and turned into the fields behind the
Quarryman's Arms. Soon he was on the moor again, with frozen peat for a
road, and sharp, dry air for stimulus.
On he strode till Lawfoot Water lay below him, with the reddening sun
shimmering across the ice. Another turn, sharp to the right, past the
further edge of the water, led him at the end of half an hour more to
the crest of the ridge overlooking Frender's Folly.
Public-domain text, read in full here on John Shaqi.
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