A Man's Value to Society: Studies in Self Culture and CharacterHillis, Newell Dwight
Philosophy
A Man's Value to Society: Studies in Self Culture and Character
Hillis, Newell Dwight
Character; Self-culture
Then with muscles tense as steel, with jugular vein all swollen and
purple, Jean Valjean took the two candlesticks given him by the
Bishop, his thorn cane, the coin taken from the boy, and cast all upon
the blazing coals. Soon the flames had licked all up. Then Victor Hugo
says: "Jean Valjean heard a burst of internal laughter." What was it
in him jeering and mocking? At midnight from sheer exhaustion the
mayor slept. Dreaming, he seemed to be in a hall of justice where an
old man was being tried. There were roses in the vase, only sin had
bleached the crimson petals gray. The sunlight came through the
window, only sin had washed the color from the sunbeam and left the
golden rays ashen pale. All the people were silent. At length an
officer touched the mayor and said: "Do you know you have been dead a
long while? Your body lives, but you died when you slew your
conscience." Suddenly a voice said: "Jean Valjean, you may melt the
candlestick, burn your clothes, change your face, but God sees you."
Afterward came a second burst of internal laughter. Then the mayor
arose swiftly, took his horse, drove hard all night and reached the
distant village to enter the courtroom just as the old man was about
to be sent to the galleys. Ascending the prisoner's dock, he confessed
his identity. Victor Hugo tells us that in that hour the judge and the
lawyer saw a strange light upon the mayor's face, and felt a light
within dazzling their hearts. It was the same light that fell on the
German monk's face when before the Emperor at Worms he said: "I cannot
and will not recant!" and then boldly fronted death. Conscience
shining through made Luther's face luminous, as it had made the face
of Moses before him!
As obedience to the behests of conscience has always yielded happiness
and formed character, so disobedience has always destroyed manhood.
The great novelists have exhibited the deterioration of character in
their hero as beginning with a sin against the sense of duty. In
Romola, George Eliot exhibits Tito as a gifted and ideal youth. The
orphan child was adopted by the Greek scholar, who lavished upon him
all the gifts of affection, all the culture and embellishments of the
schools, all the comforts of a beautiful home; and when the longing
for foreign travel came upon the youth the foster-father could not
deny him, but took passage for Tito and himself and sailed for
Alexandria. But the motto of Tito's life was, get all the pleasure
you can, avoid all the pain. Soon the old scholar became a clog and a
burden. One night, conscience battled for its life with Tito. At
midnight the youth arose, unbuckled from his father's waist the
leather belt stuffed with jewels, and fled into the night, leaving the
gray-haired man among strangers whose language he could not speak.
Public-domain text, read in full here on John Shaqi.
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