Never since man stepped foot upon this planet has there been a time when conscience, the judge, has praised a David when sinning against what he believed to be the law of right; never once has it condemned a Daniel in doing what he believed to be right. In this sense conscience is, indeed, infallible and is the very voice and regent of God. Since, therefore, conscience partakes of this divine nature and speaks as an oracle, what are its uses and functions? Primarily, the moral sense furnishes a standard and tests actions for righteousness or iniquity. To its judgment-seat comes reason, with its purposes and ambitions. When his color sense is jaded the artist uses the sapphire or ruby to bring his tints up to perfection. And when contact with selfishness or sordidness has soiled the soul's garments, dulled its instruments, and lowered its standards, then conscience comes in to freshen the ideals and to smite vice and vulgarity. In these luminous hours when conscience causes the deeper convictions to prevail, how beautiful seem truth and purity and justice! How does the soul revolt from iniquity, even as the eye revolts from the slough or the nostril from filth! Conscience has also relations to judgment. It pronounces upon the inner motive that colors the deeds, for it is the motive within that makes the actions without right or wrong. When Coleridge, the schoolboy, was going along the street thinking of the story of Hero and Leander and imagining himself to be swimming the Hellespont, he threw wide his arms as though breasting the waves. Unfortunately, his hand struck the pocket of a passer-by and knocked out a purse. The outer deed was that of a pickpocket and could have sent the youth to jail. The inner motive was that of an imaginative youth deeply impressed by the story he was translating from the Greek, and that inner motive made the owner of the purse his friend and sent young Coleridge to college. Thus, the philosopher tells us, the motive made what was outwardly wrong to be inwardly right.