"Do you realize, Suzanne, that you have violated the treaty? You’ve
talked sociology and socialism. Now—I’m free..."
"Oh! Please don’t!" she interrupted. "Not now. We must hurry to
dinner."
I got up laughing and we walked in silence, between the great trees, in
the falling dusk, back to the Hotel de la Palette. The joviality of
that troupe of young artists forced us to talk of trivial things. After
supper we stood for a moment in the doorway. Behind us was noisy
gayety, before us the full moon illumined the gray walls of the citadel,
shone enticingly on a quiet reach of the river.
"Come," I said. "Let’s go down to the bridge—the water will be gorgeous
in this light."
For a moment she hung back reluctantly; then suddenly consented. But in
the village, she wasted much time looking for the house where Napoleon
had slept in hiding on his return from Elba. When we came at last to
the bridge she clambered up on the parapet. I leaned against it beside
her. The light on the river was gorgeous. Although there was no wind
for us to feel, the great clouds overhead were driven about like
rudderless ships in a tempest. For a moment the moon would be hidden,
leaving us in utter darkness, the next it would break out, its glory
bringing to life all the details of the picturesque old houses by the
riverside. Suzanne made one or two barren attempts at conversation. At
last I plunged into the real business of the moment.
"Of course," I began, "if you really wish it, I will postpone this till
we get to Paris."
There was a perceptible tightening of her muscles—a bracing. But she
did not speak.
If I was eloquent that night, persuasive, it was because I did not plead
for myself, but for love. It is sometimes said that love is egoistic,
subjective, to me it seems the most objective thing in the world. It
is—at its grandest—I think, a complete surrender to the ultimate bigness
of life. Without love we have nothing to fight for except our little
personalities, no better occupation than to magnify our individuality.
Love shows us bigger things. At least it was this I tried to tell
Suzanne. She had looked on love as a disturbing element in life. I
tried to show it to her as the goal, the apotheosis of life.
It seems to me, as I look back on it now, that I was hardly thinking of
Suzanne—not at all of my desire for her. I was talking to something
further away than she, perhaps to the moon. I was trying desperately to
formulate a faith—to give voice to a belief.
And then she laid her hand on mine—and I forgot the moon. I saw only
the glory of her face, different from what I had ever seen it. It was
paler than usual and dreamy. It seemed surprisingly near to me. When I
kissed her, she did not turn away.
Suddenly it rained.
Public-domain text, read in full here on John Shaqi.
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