_Stephen Crane and Frank Norris._--Stephen Crane (1870-1900), born in Newark, New Jersey, and educated at Lafayette College and Syracuse University, first entered journalism and won some distinction as a war correspondent of the New York _Journal_. His first story, dealing with slum life, was “Maggie, a Girl of the Streets” (1891), which, as Mr. Howells thinks, remains his best work. “The Red Badge of Courage” (1895), a thoroughly realistic study of the mind of a soldier in action at the battle of Chancellorsville, was altogether a remarkable achievement; it took the public by storm and brought the author a wide reputation, which was not sustained by his later work. He also wrote “George’s Mother” (1896), another slum story, “The Little Regiment” (1896), “Active Service” (1899), “The Monster, and Other Stories” (1899); and two collections of stories, “Wounds in the Rain” and “Whilomville Stories” (1900), tales of child life, which were published posthumously. His impressionism, though at times too little restrained, was often effective, and his highly coloured stories have found many admiring readers. In the death of Frank Norris (1870-1902), another promising career was cut short. Norris managed to see a good deal of life. Born in Chicago, he studied art in Paris (1887-89) and literature at the University of California and Harvard. Like Crane he became a journalist. At the time of the Jameson Raid in South Africa he was the South African correspondent for a San Francisco paper and in 1898 did similar work in Cuba. He began publishing fiction as early as 1891 (“Yberville”), but it was not till 1899 that he became well known for “McTeague.” His later stories were thoroughly realistic. With “The Octopus” (1901) he began a trilogy which should form “an epic of the wheat.” In the first novel is described the growth of the wheat and the oppressive railroad monopoly encountered in its transportation. “The Pit” (1903) deals with the battles of the wheat speculators. “The Wolf,” unfinished, was to have dealt with the struggle for bread in a European famine-stricken community. “The story of the wheat was for him,” as Mr. Howells puts it, “the allegory of the industrial and financial America which is the real America.” The largeness of the scope of his undertaking and the robust courage and confidence with which he attacked it deserve our admiration. What he accomplished shows that he would have been equal to his task.