_Washington Irving._--Washington Irving (1783-1859), the first essayist
of importance in the National Period of American Literature, was born
in New York City. Unable on account of ill-health to continue his
education, Irving went abroad in 1804. Returning two years later, he
was admitted to the bar, but he never engaged in the actual practice
of law. In 1815 Irving again went to Europe, this time upon matters
connected with the cutlery business in which, as silent partner, he
was engaged with his brothers. It was seventeen years before he again
set foot upon his native soil, but when he did come back, he was
widely known, both for his writings and for his diplomatic service
as member of the American legations, first at Madrid (1826-1829) and
later at London (1829-1831). During the next decade, Irving was in
this country, living quietly at Sunnyside, as he called his home at
Tarrytown-on-the-Hudson. In 1842, accepting an appointment as Minister
to Spain, he went to Europe for a third time and remained abroad four
years. Upon his return home, he gave himself up entirely to writing,
finishing his monumental work upon Washington but a short time before
his death. He is buried in the Tarrytown Sleepy-Hollow Cemetery--within
sight of the road down which one of his characters, Ichabod Crane, made
his precipitous flight in mad endeavour to escape the headless horseman.
Irving’s first book, “A History of New York,” published as from the pen
of “Diedrich Knickerbocker,” appeared in 1809. It attracted immediate
attention and established its author’s reputation as a humourist;
but unfortunately its fun at the expense of the ancestors of certain
American families roused not a little rancour. Irving’s next work,
“The Sketch Book,” was published, first in parts in 1819, and then in
two volumes in the following year. This book and “Bracebridge Hall, or
The Humourists” (1822), “Tales of a Traveller” (1824), “The Alhambra”
(1832), and “Wolfert’s Roost” (1855), are all miscellaneous collections
of sketches, short stories, and character studies, of which one
volume is not inferior to another. The first of them received cordial
recognition from Scott, who arranged for its publication in London; and
the last had a wide circulation both in America and in England.
Public-domain text, read in full here on John Shaqi.
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