Within recent years Oxford University has conferred the degree of
D.C.L. upon Mr. Clemens in recognition of his contributions to
literature. This action by a great institution of learning has filled
many minds with surprise, nor have all of them quite recovered their
mental equilibrium yet. Some, indeed, are still asking the old
question, “Is Saul also among the prophets?” and can hardly believe
their ears when they receive the answer, “Yea, verily!” Humour at last
seems to be coming to its own. Said Mr. Meredith a few years ago:
“Comedy, we have to admit, was never one of the most honoured of the
Muses. She was in her origin, short of laughter, the loudest expression
of the little civilisation of men.” While it must be admitted that
when he wrote this the greatest English writer now living had in mind
something much more delicate, much more refined, much more subtle,
than anything yet produced in America, it is not beyond thought that
even he would let us classify the fun-makers of this country as true
humourists. They deal little in satire, little in irony, but they have
much in common with those to whom Mr. Meredith said: “If you laugh all
round a person, tumble him, roll him about, deal him a smack, and drop
a tear on him, own his likeness to you, and yours to your neighbour,
spare him as little as you shun, pity him as much as you expose, it is
a spirit of Humour that is moving you.”
V. THE ORATORS AND THE DIVINES.
=The Historical Background.=--In America, oratory has been the most
fortunate of all the arts. Whether in the era prior to the Revolution,
or in the formative years of the Republic before 1800, or in the first
half and more of the nineteenth century--in the pulpit as well as at
the bar and in the forum, American orators have drawn their inspiration
directly from the political or religious life of the nation. From the
nature of things, no other art, neither poetry, nor painting, nor
music, could bear so intimate a relation to the course of our national
existence as the utterance of the public speaker. Every crisis in our
history, the Revolution itself, the War of 1812, the struggle between
North and South, was hastened by the spoken word. Trained poets have
been wanting among us; trained speakers, in so far as their powers
could develop without a correspondingly high development of poetry and
music, we have always possessed; men skilled in rousing enthusiasm and
reverence throughout congregations of the pious, men alert to kindle
the intelligence of a legislature or to sway the minds of judge and
jury. From the first, this training was continuous and effective. In
the bare colonial churches thought, word, and action of the pastor
were criticised by an audience that had braved the sea and the savage
for the privilege of listening. From the colonial courts of justice
spread the education which warranted Burke in saying of a litigious
populace: “In no country perhaps in the world is the law so general
a study.
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