A manual of Italian literatureCliffe, Francis Henry
History
A manual of Italian literature
Cliffe, Francis Henry
Italian literature -- History and criticism
The humanitarian tendencies of the Eighteenth Century found an eloquent
exponent in the Marquis BECCARIA, a native of Milan. From a youth he
was inclined to the study of Philosophy, and he was much influenced
in his intellectual development by the contemporary French writers,
especially by Montesquieu. The first work with which he appeared
before the public was a pamphlet on the state of the Currency. In
conjunction with some friends, he published a journal called _Il
Caffé_ which advocated the humane and enlightened principles to which
he was devoted. But the great work by which he is remembered is the
treatise _Dei Delitti e delle Pene,_ published in 1764. In this book he
ventured to proclaim the doctrine that the penalty should not exceed
the offence. Barbarous sentences were passed in that age, not only in
Italy, but all over the world, for misdemeanours which do not call for
greater rigour than a few months' imprisonment. Criminals were broken
on the wheel, prisoners were tortured on the rack. All these frightful
abuses were attacked by Beccaria with the eloquence of burning
indignation, and he had the satisfaction of finding an abundant harvest
follow the sowing of the seed. Torture was abolished in France shortly
after the accession of Louis XVI, and even in the worst excesses of
the Reign of Terror nobody dared to suggest its revival. Many judicial
murders were committed, but none of the victims were tortured. It is
frightful to think what atrocities might have been perpetrated if that
odious and irrational practice had still been in force. Beccaria died
in 1793.
GAETANO FILANGIERI resembled Beccaria in his ambition to improve the
laws, and his great work, _La Scienza della Legislazione,_ obtained
an immense reputation for its author. He was the scion of a noble
Neapolitan family, and the Minister Tannucci showed some inclination to
carry out his ideas. But he died when he was only thirty-six in 1788.
Perhaps he was fortunate in not living to see the evil times in store
for his country.
FRANCESCO ALGAROTTI may be described as a sort of diluted Bettinelli,
but he had the merit of introducing Foreign writers to the Italian
public and of spreading the knowledge of Italian in Foreign countries.
Frederick the Great, who took delight in patronising the literature
of every nation except his own, received Algarotti hospitably at
Potsdam and conferred upon him the title of Count. He was a most
fertile writer and he took pleasure, not only in literary criticism,
but also in scientific investigation, and he was the first to make the
discoveries of Newton familiar in the Peninsula. His poems make but a
faint impression upon the modern reader, but they were such as the age
of Frugoni admired. In character he was discreet and amiable, hence his
personal popularity. His health gradually failed him and he died of
consumption at Pisa, in 1764, at the age of 51. Frederick the Great had
a handsome monument erected to his memory.
Public-domain text, read in full here on John Shaqi.
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