A Manual of Moral PhilosophyPeabody, Andrew P. (Andrew Preston)
Philosophy
A Manual of Moral Philosophy
Peabody, Andrew P. (Andrew Preston)
Ethics
*Jeremy Bentham* (A. D. 1747-1832) is Paley _minus_ Christianity. The
greatest good of the greatest number is, according to him, the aim and
criterion of virtue. Moral rules should be constructed with this sole end;
and this should be the pervading purpose of all legislation. Bentham’s
works are very voluminous, and they cover, wisely and well, almost every
department of domestic, social, public, and national life. The worst that
can be said of his political writings is that they are in advance of the
age,—literally Utopian;(24) for it would be well with the country which
was prepared to embody his views. But, unfortunately, his principles have
no power of self-realization. They are like a watch, perfect in all other
parts, but without the mainspring. Bentham contemplates the individual man
as an agency, rather than as an intellectual and moral integer. He must
work under yoke and harness for ends vast and remote, beyond the
appreciation of ordinary mortals; and he must hold all partial affections
and nearer aims subordinate to rules deduced by sages and legislators from
considerations of general utility. Bentham’s influence on legislation,
especially on criminal law, has been beneficially felt on both sides of
the Atlantic. In the department of pure ethics, there are no essential
points of difference between him and other writers of the utilitarian
school.(25)
* * * * *
In *France* there has been a large preponderance of sensualism,
expediency, and selfishness in the ethical systems that have had the most
extensive currency. There was a great deal of elaborate ethical
speculation and theory among the French philosophers of the last century;
but among them we cannot recall a single writer who maintained a higher
ground than Bentham, except that Rousseau—perhaps the most immoral of them
all—who was an Epicurean so far as he had any philosophy, sometimes soars
in sentimental rhapsodies about the intrinsic beauty and loveliness of a
virtue which he knew only by name.
Public-domain text, read in full here on John Shaqi.
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