A Manual of Photographic Chemistry, Including the Practice of the Collodion ProcessHardwich, T. Frederick
Science
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Hardwich, T. Frederick
Photographic chemistry; Photography
The paper must not be allowed to remain upon the salting Bath much longer
than the time specified, because the solution of Albumen being _alkaline_
(as is shown by the strong smell of Ammonia evolved on the addition of the
Chloride of Ammonium) tends to remove the size from the paper and to sink
in too deeply; thus losing its surface gloss.
Albuminized paper will keep a long time in a dry place. Some have
recommended to press it with a heated iron, in order to coagulate the
layer of Albumen upon the surface; but this precaution is unnecessary,
since the coagulation is perfectly effected by the Nitrate of Silver used
in the sensitizing; and it is doubtful whether a layer of _dry_ Albumen
would admit of coagulation by the simple application of a heated iron.
_To render the paper sensitive._--This operation must be conducted by the
light of a candle, or by yellow light. Take of
Fused Nitrate of Silver 60 grains.
Glacial Acetic Acid 1/3 minim.
Distilled Water 1 ounce.
Prepare a sufficient quantity of this solution, and lay the sheet upon it
in the same manner as before. Three minutes' contact will be sufficient
with the thin Negative paper, but if the Canson Positive paper be used,
four or five minutes must be allowed for the decomposition. The papers
are raised from the solution by a pair of bone forceps or common tweezers
tipped with sealing-wax; or a pin may be used to lift up the corner, which
is then taken by the finger and thumb and allowed _to drain a little_
before again putting in the pin, otherwise a white mark will be produced
upon the paper, from decomposition of the Nitrate of Silver. When the
sheet is hung up, a small strip of blotting-paper suspended from the
lower edge of the paper will serve to drain off the last drop of liquid.
A Bath prepared by the above formula is stronger than is really necessary.
Forty grains of Nitrate to the ounce of water is abundantly sufficient if
the sample be pure; but it must be borne in mind that the _strength_ of
the Bath diminishes _rapidly_ by use, and hence, when the prints begin to
be wanting in vigour, with pale shadows and perhaps a spotted appearance,
an addition of Nitrate of Silver must be made. Fused Nitrate of Silver
is recommended in preference to the crystallized Nitrate, on account of
the latter being occasionally contaminated with an impurity alluded to at
page 101. This when present will be likely to redden the pictures and to
interfere with the rapidity of bronzing.
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