A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
From a gloomy contemplation of supernatural matters the Etruskans
turned their minds to extremely worldly and practical purposes.
They wished to secure their towns and to protect them against real
and imaginary monsters, and they constructed excellent walls and
most comfortable houses. The ‘_cavœdium_’ (‘cavum œdium’), with the
_impluvium_ and _compluvium_ (the one for collecting and the other for
preserving water), was altogether an Etruskan invention, and was called
by the Romans who adopted it, _Tuscanicum_. They constructed temples
differing only in some details from those of the Greeks. The cella was
generally _square_; sometimes they had more than one cella; one in the
Postica and one in the Antica (the rear and front of the temple). The
portico was often filled with columns. The architectural style was a
rough and primitive Doric. They never attained the majestic simplicity
which distinguished this order in Greece. The columns had a base, were
more slender (about fourteen moduli), stood more apart, and supported a
wooden roof with clumsily-protruding beams, an unwieldy cornice, and a
high pediment.
Cinerary chests they had in abundance with divinities on them, worked
in reliefs of a decidedly Egyptian type. They used brazen tablets
representing Osiris and Isis. Little clay figures were put into the
graves to protect the dead. Amongst these has been found a winged
Harpokrates or Horus, with the fore-finger of one hand on his lips, a
lotus on his head, and a cornucopia in his other hand.
Their ancient pottery is more in the Egyptian than the Greek style.
Their jars represent sphinxes and women; their drinking cups are in
the form of human legs, with human faces replacing the knee; some are
in the form of Mercury with a pointed, attached beard, like those
to be seen in Egyptian divinities. Some of the patterns of their
ornamentation, in general as well as in detail, are perfectly Mexican.
On one of their lamps we have a winged Kentaur holding a rabbit, whilst
four rabbits running after one another, form the spirited ornamentation
of the border, intermixed with triangles, rosettes, or solar circles.
With their religious notions, it is not surprising that the Etruskans
should have devoted the greatest care to their tombs and burial-places.
These tombs were:--
1. _Subterranean_; hewn into the tufa on plains. Steps led underground,
where a vestibulum, consisting of several chambers, sometimes provided
with columns, led into the vault. The ceiling of this was either
horizontal or pointed, in imitation of a wooden roof. Many such tombs
are found at Volci, Clusium, and Volaterra.
2. A second species of their subterranean tombs consisted of those
_provided with tumuli_ above-ground; simple graves as found in
Scandinavia and the north of the Western hemisphere, the corpses lying
on simple stone beds.
Public-domain text, read in full here on John Shaqi.
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