A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The Etruskans thought, with many of us, that if the house were only
built of dry bricks, the carpet thick, the furniture solid and heavy,
and the knife sharp, it was unnecessary to care for anything else.
Whilst such ideas exist, art, in a higher sense, will remain as little
possible, as it was with the Etruskans.
CHAPTER X.
ROMAN ART.
The Greeks, from a poetical, artistic, and esthetical, and the Romans,
from a social, legal, and political point of view, are still our
masters. Historical art-critics, and a certain class of writers, who
would wish to see the whole universe one great court of justice with
an infinite variety of crimes, subdivided into felony, misdemeanour,
petty larceny, &c., will never agree as to the place that should be
assigned to the Romans in the world’s history. We are bold enough to
assert that the whole of the criminal and sanguinary history of Rome,
with her products in literature and art, might be wiped out, and yet
philosophically, poetically, and artistically, not the slightest gap in
the progressive development of humanity would be found. Socially and
legally, we should be sorry to miss a state, which had a mission of its
own, which, if well understood, may teach us the causes why the gentler
feelings of morality were oppressed, imagination defiled, and every
higher artistic aspiration deadened in Rome.
From beginning to end, ROMA, read backwards AMOR, was an ambiguous
‘state-abstraction,’ which absorbed the individual. The State with the
Greeks was a concrete association of freemen. With the Romans, it was
the abstract principle of an imaginary union of heterogeneous citizens.
The Greeks fostered science and art, poetry and philosophy. The Romans
despised science, mocked art, scorned poetry, and never condescended
to trouble themselves about philosophy. The Greeks colonised and
civilised their colonies, which became the free daughters of a free
mother-country, attached to it by the ties of a common worship of
beauty and intellectual enjoyment. The Romans conquered, and the
conquered provinces were to furnish soldiers or labourers, and were
tied by means of despotism to the wheels of the proud state-carriage.
The Greeks humanised; the Romans demoralised and organised. The Greeks
played at soldiers in a spirit of glorious patriotism. The Romans were
soldiers for the sake of conquest, plunder, and vain glory. Spirited
youthfulness was the Greek element. Stern and calculating manliness
the essence of the Roman. The Greek was free in life, in art, in the
worship of his gods, in poetry and philosophy. The Roman was cowed
down in religion, politics and life, by the inexorable despotic
force of legal phantoms, which turned men into mere machines. The
despotism of the East was the despotism of some invisible god, or
some visible ruler; and it often overlooked the individual in its
almighty position. The democracy of Greece gave fair play to individual
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account