A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The savage of the South, up to our days, does not go beyond an
ornamentation with geometrical figures; he can neither produce
animals nor the human figure. The Egyptians surpassed the Assyrians
and Babylonians in their monumental architecture, but in the plastic
reproduction of the human form they never succeeded. Their sitting
figures had legs and thighs forming right angles in the side view,
while in front they were parallel; the drapery was merely marked by
lines, rarely interrupted by folds. In their historical and allegorical
bas-reliefs the composition is devoid of elegance and correctness
of outlines; but they already showed a remarkable power in drawing
animals. The Indians reached a higher stage of progress in sculpture;
their mythology and poetry furnished them with a variety of subjects,
with which they covered the walls of their shrines and temples; after
the doctrines of Buddha became more universal, they attained grandeur
in their architecture, combined with a certain degree of elegance. The
human form is reproduced with ease; the proportions, though too soft,
too sensual, are more correct than with the Egyptians.
So long as the Greek artists worked with reverence and modesty,
inspired by faith in the gods, they were capable of understanding
God’s revelation of beauty in man’s outer form. So long as the Romans
unconsciously worked in this spirit, they produced their stupendous
architectural monuments. When, however, State and citizens were forced
by false principles to war with reality for a beggarly existence, or
to plunge into mere sensuous enjoyments, man came to an open rupture
with his destiny, and humanity might have perished altogether in sin
and iniquity, had not Providence mercifully interfered by freeing,
through Christ, the ‘inner man’--that is, the intellectual and moral
force in man--thus preparing humanity for a higher progressive life.
The south of Asia had to go through the same religious and artistic
phases of development. Buddhism stands to Brahmanism in the same
relation as Christianity to Mosaism and Heathenism. Excepting, however,
that both religions were reformations of older established creeds,
all analogy between them ceases. The proof of the difference lies
in the diametrically opposed development produced by Buddhism and
Christianity. It is true that Buddhism teaches us not to kill, not
to steal, not to lie, and not to be drunken. Christianity does the
same. Buddha, in twelve other ordinances, extols self-abnegation,
poverty, and commands all to meditate amongst the tombs on the fleeting
transitoriness of our earthly existence. Christianity does the same.
Christ, however, redeemed and freed our spiritual nature, and brought
it into a self-conscious, vivid activity; whilst Buddhism degraded this
higher _individual_ nature into a nonentity, denying that there was an
independent moral agent in us; teaching that we were phenomena of an
all-pervading divine power, by which universality we should be absorbed
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