A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
Who does not recognise in Thor, Froh, and
Ziu--Brahma, Vishnu, and Siva--Jupiter, Apollo and Mars? As with the
Aryans on the Ganges, so also with those on the Rhine, the Elbe or the
Weser, and in Scandinavia, the passive element of nature was embodied
in female divinities. _Hertha_, Nerthus (the earth), corresponds
to S’ris, Hera, Ceres, Isis; _Holda_ is closely allied with Hilda,
Hela, Hell (the hidden), the goddess of death, Durga; and _Freyja_
represents Venus, the goddess of love. These Aryans of northern Europe
were known to the ancients as Hyperboræans. They were tall, blue-eyed,
fair-haired, addicted to fighting, and sport. Some of them erected,
in analogy with Buddhists and Egyptians, long thin towers reaching
high into the air, pointing mystically upwards. The ‘Crux Ansata’ is
reproduced in the Irish crosses, and their mode of ornamentation, with
its twisted rope-like windings, and its serpent-like entanglements,
points to Indian patterns of a very ancient type. When these Aryans
of the north of Europe first dashed into the south, and destroyed
the Roman colossus, they embraced Christianity with all the fervour
of their unbiassed hearts. Entirely given up to the culture of the
wild powers of nature, free from all metaphysical subtleties--the
genuine men of wild oak, pine, and beech forests--they had no Vedas,
no Homer, no Zoroaster, no Hermes, and no Moses to forget; they, in
fact, only knew of an Allvater, because no two Teuton tribes held
the same opinions on metaphysics. They had only one common ground,
honest work--_industry_ (at those times concentrated on warfare); and
therefore they received Christianity with the greatest eagerness, and
became the only upholders, expounders, and propagators of a religion
for which their hearts were created. They recognised in Christ’s words,
what they heard in whispers in their legends, and in the experiences
of their wild life--that we ought to love others as ourselves. They
added some of their old superstitions to the pure faith, which they
found already much impregnated with Egyptian, Roman, and Indian signs
and symbols. In the beginning, whilst Christianity was spreading all
over Europe, they cultivated a mixture of North European and Roman
forms in architecture as well as in ornamentation. They constructed
their churches with plans borrowed from ancient times, and freely used
geometrical symbols--for the sign of the Indian Trimurty, that of the
shields of David or Solomon, and that of the Trinity, did not differ.
The pentagram is still made on every loaf the Germans bake; it was
a Druidical mystic sign, and now serves good Christians to protect
their bread from being eaten by evil spirits. If we look at our Tudor
roses, or St. Katherine’s wheels, we may clearly trace their origin
to the Zodiacs of Egypt, used as signs of the _Makrokosm_. The Teuton
minds found themselves suddenly dazzled by Christian theology. Greek,
Alexandrian, Nestorian, Arian, Athanasian, Jewish and Christian mystics
Public-domain text, read in full here on John Shaqi.
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