A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
Passing to the monuments under the reign of the _Sassanides_; they
consist of reliefs and inscriptions hewn in rock at a distance of about
four and a half miles from the ruins of Persepolis. They are called
_Naksh-i-Rustam_ (the image of Rustam), because it was assumed that the
exploits of this hero were here glorified. De Sacy, in his ‘Mémoires
sur diverses Antiquités de la Perse,’ has explained the inscriptions
as referring to the kings of the Sassanide dynasty. The reliefs are
portraits of these kings, recognisable by their head-dresses.
The distance from Passagarda to Tshil-Minar is about forty-nine English
miles, and this space is crowded with Persian monuments. It is most
probable that the more recently-made subdivisions did not exist, but
that the capital of the ancient Persian empire extended from Passagarda
to Tshil-Minar, including Isthakr, Naksh-i-Rustam, and the king’s
palace, called by the Greeks Persepolis. The palace was cut out of
the beautiful grey marble rock towering over it, and stood on three
well-defined, gradually-rising platforms. The arrangement was like that
of the Indian, Egyptian, and later Greek temples; the first terrace
corresponding to the Pronaos, where the people paid their homage to the
king; the second to the Naos, where the ambassadors of the different
nations assembled; and the third to the Adytum, where the king had his
special temple and private abode. The whole foundation was constructed
of bold Kyklopean masonry.
At the gates stood colossal fabulous animals, fantastic representations
combined of the lion, the bull, the horse, the wild ass, the
rhinoceros, the ostrich, the eagle, the scorpion, and the unicorn.
Besides these there were winged and horned animals, and others having
the winged body of a lion, the feet of a horse, and the head of a man,
with well-curled, long beard and crowned with the tiara--the symbol of
the king’s power, endowed with intellect, force, and swiftness. The
bull with the Persians was, like Nundi with the Indians, Apis with the
Egyptians, and Taurus with the Greeks, a sign of strength and power.
Public-domain text, read in full here on John Shaqi.
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