A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The Zend-Avesta assumes _one_ Universal Being, clothed in an outward
form, but this form is _Light_. Light is neither a serpent, nor a
stone, nor a four-handed monster, nor a three-headed Brahmā, nor a
bull, owl, or hawk; it is a simple manifestation, it has no particular
existence, it perceptibly pervades universality. It admits of a highly
symbolical interpretation; it is virtue, it is truth, proficiency,
knowledge, and directing will. Light involves an opposite--darkness,
just as virtue has an antithesis--evil. Both light and darkness took
their origin in the unlimited All (Zeruane-Akerene). We have here
clearly a purer Trinitarian conception. We have (1) the Infinite
All, producing (2) light or good (Ormuzd), and (3) darkness or evil
(Ahriman). With the Indians _Brahmā_ is ether; _Vishnu_, water; and
_S’iva_, fire; and in spite of all spiritualisation we have _matter_
before us. The Persians, in becoming conscious of light and darkness,
destroyed the innocence of mankind, but proclaimed to the world _moral_
consciousness. Without a knowledge of evil there is no knowledge of
good; to be virtuous is to know the evil and to do the good.
This led the Cis-Himâlâyans a step further. The two opposing
phenomena, light and darkness, were placed, like good and evil, purity
and impurity, right and wrong, truth and falsehood, knowledge and
ignorance, in eternal conflict. Creation was thus considered as in
everlasting strife. This strife was life-activity in honour of Ormuzd
or Ahriman. This activity was carried beyond this world; for the
followers of Ormuzd, there was a heaven, and for the followers of
Ahriman, a hell in the future. Ormuzd had _Fervers_ as attendants;
Ahriman, _Dews_ or _Devas_ (in Keltic _Dusii_, devils). On the Persian
and Assyrian slabs we see, floating over the heads of the kings, their
winged portraits; these represent their protecting Fervers, one of whom
continually watched over each good man, and protected him from the
influences of Ahriman’s servants.
The worship of Ormuzd, in whose sight all creatures were _equal_, but
equally dependent, was threefold:--
(_a_) _Pure thoughts_, through which alone we may approach the
beginning of all things, wisdom and light--God.
(_b_) _Pure words_, the word of God (the Logos), which is no longer
personified as some visible form, but is the mere vibration of the
spirit of God, embodied in abstract signs in the Zend-Avesta.
(_c_) _Pure deeds_, accomplished by one’s own efforts, as we are
endowed with perfect individual freedom.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account