A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
The oldest books of law, were attributed to _Hermes_ (Toth), implying,
that the first germ of an hierarchical organisation of society sprung
from the sacred songs, and that law was entirely based upon the
religious conceptions of the secret forces of nature by which man
had been impressed. Like the Code of Manû, which took its origin in
the Vedas, or the Laws of Zoroaster based on the Zend-Avesta, or the
injunctions of Confucius founded on the holy records and songs of
by-gone ages, the Egyptian laws took their origin in the first poetical
feelings of awakened humanity, excited by the mysteries of nature under
the rule of an incomprehensible first cause.
6. The _six_ books of the Dead. The only books still extant, written
in hieroglyphs, and divided by Lepsius into 165 sections. The first
fifteen chapters form a distinct and connected whole, with the
superscription: ‘Here begin the Sections of the glorification in the
Light of Osiris.’
It concludes with a book entitled ‘The Book of Deliverance in the Hall
of the _twofold_ Justice (Reward and Punishment), and the Book of
Redemption.’
With such a deep and mystic literature, encompassing the gods, nature,
and man, in life and death, it is no wonder that a mystic and symbolic
art should have succeeded in Egypt.
Their mythology was not less profound than that of the
Trans-Himâlâyans; there was more of symmetry, at least architectural
symmetry, in their conceptions and representations than in those of the
Brahmans, though Egyptian priests and Brahmans have apparently taken
their conceptions from one and the same source. The Egyptian had eight
gods of the first order, twelve gods of the second, and seven gods of
the third order, pointing by these very numbers to an astronomical
basis, thus:--
1. The cosmical forces of creative nature.
2. The twelve months of the year.
3. The seven days of the week.
Astronomy is the first powerful divisor of time and the supreme lord
of agriculture. Only when the ‘Sacred Nile’ deposited its fructifying
alluvium on the barren limestone of the valleys, formed by the Libyan
and Arabian mountain ranges, man could exist and develop in that
region. The regular inundation appeared to have taken place under the
influence of the sun, moon, and stars. The sun (Osiris) was, therefore,
believed to call forth the Nile (Isis) from regions _unknown down to
our own days_, and sun and water became, as with the Indians (_Indra
and Agni_), the first visible, creative forces of nature.
The eight gods of the first order were:--
I. AMN (Brahm), Am-Ra, Ammon, the Greek Zeus (the son of Kronos and
Rhea), the Roman Jupiter; the ‘Concealed God,’ the ‘Lord of Heaven,’
the ‘Lord of Thrones’; the first creative, incomprehensible, invisible
force of the universe. The Brahmă of the Indians, the Zeruane-Akerene
of the Persians.
Public-domain text, read in full here on John Shaqi.
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