A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
Egyptian art reflects in every form the gorgeous influences of
religion. The whole life of every Egyptian was placed, in seven phases,
under the protection of seven divinities. The _first_ period of man’s
life was under the influence of _Isis_, the moon (Luna, Selene). The
_second_ was devoted to _Hermes_; during this period man had to learn
to read and to write, to play the harp, to dance, to develop the
body in the gymnasium, and to make himself well versed in knowledge
according to his station in life; but the only station that granted
man an insight into knowledge was that of the _priest_. During the
_third_ period man was under the care of _Hat-her_ (Athyr), or Venus.
Love was to rule the youth; the world was to appear to him in the
rosy hue of a mystic foam of incomprehensible longing. The _fourth_
period was under the dominion of _Ra_ (Helios); when love had ceased
to disturb the mind, and to fill this world with illusions, the light
of truth and earnest activity was to ripen man, and to prepare him for
the _fifth_ period, under the protection of _Man_ or Mars, the God of
War; man was to learn either to conquer others, or to conquer his own
passions, and to work in the State as a useful member. Few only reached
the _sixth_ period, guided by _Amn_, the supreme representative of
abstract wisdom; during this period man was admitted to act as a judge,
to sit at the board of a hierarchical council, or to teach priests
as high-priest. At last man became, during the _seventh_ period,
vapour--breath--air--under the dominion of _Num_ (Kneph), and was
detached from reality; if good, transferred into a state of ideality;
if not, doomed to begin life anew as a loathsome animal, till he atoned
for his evil deeds, and, purified, reached the bright abode of Osiris.
B. The _pyramidal period_, the most ancient of Egyptian art, is the
outgrowth of these mystic religious conceptions. Nature was to be
reproduced, and surpassed in her sublime grandeur. The mountain was
brought into a geometrical shape.
The three principal pyramids were built during the reign of the fourth
dynasty, 3426 B.C.-3220 B.C.; the first, by Shufu (Cheops), was, in
extent, 13 acres 1 rood and 22 perches, more than twice the area of St.
Peter’s at Rome. The original quantity of masonry was 89,028,000 cubic
feet. Total height 480 feet; 16 feet higher than St. Peter’s, and 120
feet higher than St. Paul’s (London); 360,000 human beings worked at it
for twenty years. The stones are from 9 to 12 feet in length, and 6½
to 8 feet in breadth. The second pyramid was smaller, built by Shafra
(Chephren), only 454 feet high; and the third by Menkare (Mykerinus),
218 feet high. The mode of fitting the polished stones together is a
perfect master-piece of architectural construction.
Public-domain text, read in full here on John Shaqi.
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