A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
They had three dialects: the Doric, distinguished by a broader
pronunciation; the Ionic, possessed of softness and a melodious
richness; and the Æolic, a kind of mixture without a special character.
The Dorians came southwards from the hoary mountains of Thessaly, and
gained step by step an influence and dominion over the other tribes
of Greece. The Ionians occupied the east, and were considered the
connecting link between Hellas and Asia; but whatever the Hellenes took
from Byblos, Sidon, Tyros or the Libanon, assumed a really Hellenic
form, after it had passed through the purifying element of Doric
correctness. The south gave _ideas_, and the north brought them into
_form_.
Whatever the Hellenes touched they beautified. The powerful giant Bhîma
of the Mahâbhârata is the prototype of Herakles; but in the myths
concerning Herakles we recognise the mere personification of commercial
daring and enterprise. Accompanied by his dog, he finds the cochineal;
the goblet in which he sails to Erytheia is but the Phœnician
merchantman; the Phœnicians are referred to, when it is recorded of
him that he had broken the devastating horn of the mountain-streams.
Moloch, to whom Assyrians, Indians and Hebrews sacrificed, without ever
being capable of investing the fire-spitting monster with anything like
poetry, was destroyed by Herakles. The gods of Asia became with the
Hellenes demons, from whom they learned some useful trades. Poseidon,
the god of the sea, is, like the element over which he rules and in
which he dwells, of a sinister, implacable character; he requires
human sacrifices, annihilates horses (meaning ships), in fact does,
as incarnate divinity, what the sea does in our own times. The Titans
are acquainted with astronomy, and are personifications of a certain
knowledge in maritime matters. Proteus, the Egyptian Pharaoh, is
with them the keeper of the seas, and Atlas the father of nautical
astronomy, and both were companions of the Tyrean Herkules. In all
the myths and legends of the Greeks we can trace some facts. The
divinity they could only comprehend in the well-proportioned form of a
human being, and a hero or benefactor of humanity became with them a
divinity. This blending into one of the divine and human is the most
important feature in Greek thought. Vishnu and Osiris also became
incarnate--but their deeds were supernatural; the principal feature
of their ‘man-godhead,’ or ‘divine manhood,’ is an incomprehensible
mysticism. Their anthropomorphism had in it something gloomy. When the
divine Apollo uttered the memorable words: ‘_Man, know thyself_,’ the
Greeks became suddenly conscious of the inborn spark of the divine
intellect in man; the gods were intelligible to them, and the Asiatic
world of abstractions emerged in a thousand different human forms of
divine conceptions.
Public-domain text, read in full here on John Shaqi.
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