A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
Zeus serves us even more as a specimen of the anthropomorphic tendency
of the Greeks. He was the _father_ of the gods, and had to _fight_
with the Titans. He led the immortal gods, who assembled on Mount
Olympus against these terrible Titans, who mustered in great strength
on Mount Othrys. For ten years the battle raged without result; heaven,
earth, and sea resounded with the frightful struggle. Gæa advised
the gods to call in the Kyklopes and Hekatoncheires. These presented
Poseidon with the trident, Pluton with the helmet that had the power
to make the wearer invisible, and Zeus received from the depths of
the earth the flaming thunderbolts. Then only the Titans had to yield
to storms and lightnings, and were chained down at last in Tartaros.
We read a chapter of geology when we peruse Hesiod’s description of
this struggle. In the Titans, Kyklopes, and the hundred-handed giants
we recognise the antediluvian monsters--the mastodons, megatheriums,
and saurians, petrified for ever in the strata of the earth’s crust.
Zeus, after his conquest, began to rule the Olympian gods and mankind.
He himself was full of passion and wrath, of human failings and
shortcomings; but, after all, he was kind, dignified--even in his
weakness, just and grand. He smiled, and love and joy pervaded the
universe; he frowned, and the universe shook to its very foundations.
He indulged in freaks, and still was afraid of his haughty and jealous
wife, who acted in many instances as a well-bred lady would, who had
the misfortune to be wedded to an amorous husband. Zeus was frequently
so troubled by his riotous gods and goddesses, that he had a bad
headache, and was once obliged to call in Hephaistos to cure him with
a heavy blow, and on this occasion Minerva (wisdom) sprang forth armed
with spear, helmet, and shield. The truth that intellect and reason are
of divine origin was proclaimed in this myth. In the Greek legends the
poet’s imagination has turned the forces of nature into beautiful men,
women, or children. How much the gods, with them, were the creatures
of man’s fancy, may be seen in the fear of the opinions of their
earth-born children with which the gods were endowed. The Almighty
Thunderer, when his heavenly subjects made too much noise, often cried:
‘What will my earthly sons say?’ and for fear that they might find
fault with him he yielded, and made concessions, and heaven and earth,
sun, moon and stars were again at peace.
Public-domain text, read in full here on John Shaqi.
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