A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and OrnamentationZerffi, G. G. (Gustavus George)
History
A Manual of the Historical Development of Art: Pre-Historic—Ancient—Classic—Early Christian; with Special Reference to Architecture, Sculpture, Painting, and Ornamentation
Zerffi, G. G. (Gustavus George)
Art -- History
hand on her lips, impressing them with the necessity for caution.
_Urania_, with her eyes lifted to the starry heavens, tried to draw
man’s attention to the well-regulated courses of the heavenly bodies,
proclaiming in eternal silence with fiery tongues the glories of the
universe. _Kalliope_ finally taught man to record heroic deeds in
epic poetry. These _nine_ muses, presided over by the manly and wise,
valorous and glorious Apollo, nursed, taught, and accompanied the
Hellenes through life; they met them as lovely charmers in a thousand
different forms, in temples, on friezes, metopes, goblets, pateras,
amphoræ, and urns; nothing possessed a meaning for them that had not a
poetical, artistic, and scientific aim.
Life with the Greeks was one continual festivity. They worshipped their
gods in singing joyous songs, in running, playing, and wrestling. They
thought it a duty to develop both body and intellect, the gifts of the
immortal gods. They deeply loved poetry, wrote it if they could, or
recited it, or listened to it and imbibed it with their whole souls.
They rejoiced in athletic sports; influenced by Terpsichore, they
showed the wondrous beauty of their harmoniously-constructed bodies.
Joy and delight swelled their muscles when they wrestled, and throbbed
through all their veins when they moved in rhythmical simplicity, like
the stars in heaven. They prayed when they composed epic poems; they
worshipped when they wrote tragedies or comedies; they honoured the
gods when they built temples; they humbly beseeched their blessing
when they sculptured. The whole life of the Greeks was one grateful
act of artistic devotion. Their temples were so many hymns in stone
and marble; their ornamentations in reliefs, sculptures, winding
frets and meanders, are epic poems, dramatic representations, and
lyric effusions of the very highest intellectual refinement. Art with
the Greeks was cherished, cultivated, and loved for its own divine
sake. Rich and poor, old and young, men and women, boys and girls,
used art and poetry, science and philosophy, as the plastic language
of their ever-praying lips, hands and minds. Whenever the life of a
nation is thus inspired; when the comprehensive culture of intellect,
the harmonious development of the body, and the mysterious feelings of
existence are guided by the mighty and productive energy of an awakened
and excited imagination, and regulated by a consciousness of order; art
must attain that expansive, noble, and beautiful form which we admire
in the Greeks.
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