A manual on the origin and development of WashingtonCaemmerer, H. Paul (Hans Paul)
History
A manual on the origin and development of Washington
Caemmerer, H. Paul (Hans Paul)
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
This arrangement had been entered into and the work had progressed to
quite an extent, when Captain Meigs, who had returned to duty at the
Capitol, issued a formal statement of the existence of war, on May
15, 1861, suspending work on the Capitol extension and the new Dome.
But subsequently, even though the existence of war between the States
handicapped the Government, the necessary arrangements for completing
the Dome and for casting the statue were made. The statue was hoisted
in place on the Dome amid a salute of 35 guns on December 2, 1863.
The original model of the statue may be seen to-day in the rotunda of
the Museum of History Building of the Smithsonian Institution.
BRONZE DOORS OF THE CAPITOL
These bronze doors, the central and most elaborate of the Capitol,
were modeled by Randolph Rogers at Rome in 1858, and cast at the Royal
Bavarian Foundry in Munich by Ferdinand von Muller, director, at a cost
of $17,000. Each of the doors is 19 feet high and 5 feet wide. They are
surmounted by a semicircular transom-panel or lunette representing the
landing of Columbus in the New World on October 12, 1492. The casing
border is a decorative scheme composed of anchors, rudders, and armor;
four figures in low relief typify Asia, Africa, Europe, and America. At
the top of the casing arch is a bust of Columbus.
[Illustration: BRONZE DOORS AT MAIN ENTRANCE TO THE CAPITOL, BY ROGERS]
Each of the doors is separated into four panels, portraying scenes in
alto-relief from life of Columbus.
The lowest panel on the left-hand door pictures Columbus before the
Council of Salamanca. Then follows his departure from the Convent of La
Rabida for the Spanish Court. The next is the audience before Ferdinand
and Isabella, and the last the sailing from Palos on the first voyage.
The top panel on the right-hand door represents the first encounter
with the Indians. The next the triumphal entry into Barcelona. Then
follows Columbus in chains, and the last depicts the death of the
discoverer.
The borders of the separate doors each contain eight figures
representing prominent personages of the fifteenth century who played
important parts in the events connected with the discovery of America.
BRONZE DOORS OF THE SENATE WING
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