A manual on the origin and development of WashingtonCaemmerer, H. Paul (Hans Paul)
History
A manual on the origin and development of Washington
Caemmerer, H. Paul (Hans Paul)
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
The general waiting room has a clear width of 120 feet, is 219
feet long, exclusive of the colonnades, and is covered by a Roman
barrel-vaulted ceiling, its highest point, exclusive of coffers,
being 96 feet above the floor level. The decorations are sunken
panels patterned after the baths of Diocletian. It is lighted by a
semicircular window 72¹⁄₂ feet in diameter at the east end, by three
semicircular windows in the south side and five on the north side, each
27¹⁄₂ feet in diameter, and by the glass roof over the ticket lobby at
the west end. Imperial Rome at her greatest did not possess a hall of
such proportions.
The Union Station is built of Vermont white granite. In the
construction of this massive building Mr. Burnham set a standard for
civic improvement for the construction of railroad terminals in this
country.
The complete architectural treatment of the front elevation of the
station includes six stone statues and four eagles, the former over
the central pavilion, and the latter over the carriage entrances at
the east and west ends. This statuary is placed in front of the great
friezes over the main entrance arches and over the carriage archways
and, with the inscriptions in the panels between, have been made a
special architectural feature.
Before the adoption of the scheme a number of suggestions for the
subjects of the statues and inscriptions were secured, ranging from
the explorers and discoverers of this country to the various inventors
who have had most to do with the development of transportation. The
general architectural treatment of the building, however, was such
as to preclude the usual portrait statues. To make them take their
place as part of the architecture required that they be limited to
allegorical draped figures, forming simple, massive silhouettes against
the vast frieze. In the development of the complete scheme, embracing
the subjects for the statuary, with appropriate inscriptions in the
intervening panels, the late Charles W. Eliot, former president of
Harvard University, was consulted. The result is an appropriate and
adequate treatment of the decorative frieze over the doorway of the
vestibule to the Capital of the Nation.
Public-domain text, read in full here on John Shaqi.
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