Grace was then handed into the boat--a ticklish business to the eyes of
a landsman, but performed with amazing despatch and ease by the rough
seaman who passed her over and received her. I followed, watching my
chance, and in a few moments the oars were out and the boat making for
the yacht, that lay within musket shot. She was rolling, however,
faster and so much more heavily than the big iron ship, that the job of
getting on board her was heightened into a kind of peril. I should
never have imagined merely by looking down on the water from the height
of the _Carthusian's_ rail how strong was the Atlantic surge--blue,
summer-like and beautiful with its lacery of froth, as it showed from
the altitude of the ship's deck. It came to Grace being lifted bodily
over the side by a couple of the yachtsman, who each grasped her hand.
I was similarly helped up, and was not a little thankful to find
ourselves safe on the solid deck of the steamer after the
egg-shell-like tossing of the ship's quarter-boat alongside.
We were received by the captain of the yacht, a fellow with a face that
reminded me somewhat of Caudel, of a countenance and bearing much too
sailorly to be rendered ridiculous by his livery of gold band and
buttons. But before I could address him old Parsons hailed to give him
the name of the _Carthusian_ and to request him to report the ship, and
he ran on to the bridge to answer. I could look at nothing just then
but the ship. Of all sea pieces I never remember the like of that for
beauty. We were to leeward of her, and she showed us the milk-white
bosoms of her sails, that flashed out in silver brilliance to the
sunlight through sheer force of the contrast of the vivid red of her
water-line as it was lifted out of the yeast and then plunged again by
the rolling of the craft. Large soft clouds resembling puffs of steam
sailed over her waving mast-heads, where a gilt vane glowed like a
streak of fire against the blue of the sky between the clouds.
A full-rigged ship never looks more majestic I think than when she is
hove to under all plain sail, that is, when all canvas but stun'sails
is piled upon her and her main topsail is to the mast, with the great
main course hauled up to the yard and windily swaying in festoons. She
is then like a noble mare reined in; her very hawse pipes seem to grow
large like the nostrils of some nervous creature impatiently sniffing
the air; she bows the sea as though informed with a spirit of fire that
maddens her to leap the surge, and to rush forward once more in music
and in thunder, in giddy shearing and in long floating plunges on the
wings of the wind. Never does a ship show so much as a thing of life
as when she is thus restrained.
Public-domain text, read in full here on John Shaqi.
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