A Marriage in High Life, Volume IIScott, Lady (Caroline Lucy)
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A Marriage in High Life, Volume II
Scott, Lady (Caroline Lucy)
Great Britain -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
When consciousness, after a lapse of some days, at length returned, she
saw her father and mother hanging over her—but Fitzhenry, her adored
Fitzhenry, was for ever shrouded in the close, cold habitation of death!
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CHAPTER VIII.
Yet still, thou mourner, o’er the death-bed stand,
Still honour, as thou canst, the breathless clay,
Still bring thy flowers, and strew with pious hand,
And weep behind the bier in slow array;
And raise the stone, inscribe the record kind,
And all thy heart’s vain tenderness reveal,
And guard the dust, in awful hope resigned,
And bow to heaven, that formed thee thus to feel.
_Extract from a Letter from the Rev. E. Pelham, to Sir George Pelham,
minister at Vienna._
——“You ask me if I can tell you any thing of Lady Fitzhenry.
Being some little time ago on a visit to a friend at Poole, and
anxious to be able to give you some more satisfactory account
than mere common report, I resolved to drive over one Sunday,
and attend divine service at the parish church of Arlingford, as
I was told that she was generally there to be seen; and, hearing
she lived perfectly retired, I did not like to intrude upon her
with the offer of a visit.
“You know it is now nearly a twelve-month since the death of
poor Fitzhenry. The pew belonging to the Arlingford family, the
pulpit, and communion table, are all still covered with black,
and with the escutcheons and arms of the Fitzhenrys. When the
church-bell had done ringing, Lady Fitzhenry, with her father
and mother, came into the gallery. A deep black veil at first
hid her face and nearly her whole person; but the church growing
very hot, she at length put it aside.
“Had I not previously known who it was, I certainly should not
have recognised her. There is no trace of the laughing eyes, of
the dimpled cheek, of the fresh gay young countenance, which I
was acquainted with. Perhaps it was partly owing to contrast and
to the quantity of black by which she was surrounded, but I
thought I had never seen so pale a face. Still, though she has
already lost much of the fresh beauty of youth, there is a charm
in her faded sadness—an air of sentiment over her whole person,
that more than compensates. Her hair was parted back on her
marble-white forehead; and the only thing about her that was not
black, was a gold chain, to which was hung a small watch. I am
thus particular, for I know you wish for particulars—and I
certainly never before paid such attention to the minutiæ of a
woman’s dress.
Public-domain text, read in full here on John Shaqi.
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