One of the greatest discomforts from which I suffered at this time was
the outcome of the peculiar musical taste of King Banda's subjects.
Though I was then happily unaware of the fact, the period of the great
annual festival, or Customs, was approaching, and the joy of the
populace began to find vent in nocturnal concerts inordinately
prolonged, the musical instruments consisting of tom-toms, each beaten
by two, three, or four performers--according to the size of the tom-
tom--with a monotony of cadence that soon became positively maddening,
further aggravated by the discordant squealing of a number of flageolet-
like instruments made of stout reeds.
Now, although I have not hitherto had occasion to mention the fact, I
was passionately fond of music, and rather fancied myself as a performer
upon the flute; one night, therefore, when one of these hideous concerts
was in full blast, and when, consequently, it was useless to attempt to
sleep, I sallied forth, accompanied as usual by my guards, and made my
way round to the great square in front of the king's house, where,
squatted round a huge fire, some twenty of these enthusiasts were
tootling and thumping with a vigour that I could not help regarding as
utterly misplaced. I stood watching them for a few minutes, and then
approaching one of the flageolet players I held out my hand and pointed
to his instrument, signifying that I desired to examine it.
With some show of hesitation the man surrendered the thing, and upon
inspection I found it to be a reed of about a foot in length, with a
mouthpiece shaped something like that of a whistle, and with four small
holes drilled in the length of the tube, whereby an expert performer
might produce seven distinct tones; but the tones were not consecutive,
and the instrument was altogether a very poor and inefficient affair.
It furnished me with an idea, however, and on the following day, by dint
of much suggestive gesticulation, I contrived to intimate to my guard my
desire to obtain a reed similar to those from which the native
instruments were made. They offered no objection, but conducted me some
distance beyond the town, through the bush, to a spot on the bank of the
river where the reed was growing in abundance. I had resolved to make
myself either a flute or a flageolet, whichever might prove easiest, and
I accordingly selected with great care half-a-dozen of the most suitable
reeds that I could find, and, borrowing his spear from one of my guards,
cut them, taking care that they should be of ample length for my
purpose.
Public-domain text, read in full here on John Shaqi.
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