A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
The conversation of those around chiefly concerns two lovers, whom
all Paris is just now petting and caressing, the young and charming
Monsieur de Monnière-Croix and his fiancée Mademoiselle de Flourens.
The match is altogether a singular and remarkable one. Those who have
seen the young man report him very handsome, but it is whispered
that he is of obscure origin. Were it not for his stupendous wealth,
the story of which is very well authenticated, it would have been a
dreadful misalliance. As it is, that wealth is so great as to level all
distinctions, and the world has not only forgiven the match, but has
been vastly interested in the love affair. The talk of it has reached
even Madame de Pompadour's ears, and she has been pleased to express
a desire to have them presented to her. The day and the time for that
presentation has arrived, and that perhaps is why the conversation just
now concerns the lovers.
Madame de Berry protests that they are the handsomest couple that she
has ever seen; their love so innocent, so deliciously childlike. They
are a new Corydon and Phyllis--Cupidon and Psyche. In them Arcadia
is come again. It is the prettiest thing in the world to see their
uneasiness when separated, their fond glances when together.
Monsieur de Gontat had heard the Duchesse de Choiseul speak of them the
other day. She declares them her latest passion, and says that they are
like that which the poets describe, and which nobody ever saw before.
She loves to have them near her--the dear Duchesse--and says that they
make her feel that life is not altogether like the new screen that
Monsieur Watteau has just finished for her, not altogether flat, not
altogether surface, not all pretended simplicity in powder and patches,
and with painted fan to hide a painted blush; she says they make her
have a better opinion of herself. So the buzz of talk goes on, and
Madame de Pompadour fans herself and listens impassively.
Then the talk suddenly turns to the Count de St. Germaine, who has
grown such a favorite, not only with Madame de Pompadour, but of late
with his Majesty himself.
Monsieur de Gontat tells of the last wonder relating to him. Yesterday
his Majesty sent for him.
"Monsieur Count," said he, "they say that you can remove flaws from a
diamond. Is it so?"
"Yes, sire," answered the count.
"Then here is a diamond that would be worth fifty thousand livres
except for this flaw; it is not worth five thousand now. Can you remedy
it?"
"I can try, sire," answers the count, and he slips it into his
waistcoat.
Would you believe it? He brings it in this morning sound and whole and
without flaw.
"I myself," says Monsieur de Gontat, "was present when the jeweller
appraised it. His Majesty said that he would keep it as one of the
greatest curiosities of his cabinet."
Monsieur de Gontat had hardly ended his story when Oliver and Céleste
were announced.
Public-domain text, read in full here on John Shaqi.
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