A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
"What is it that lies upon me to-night? Yes; I feel an influence in
this room.--Bah! I am a fool! Why should I fear? I have crushed and
annihilated the only one who the stars say could harm me.--Those stars
lied. What harm could a heavy, loutish peasant lad do to me?--Yes; he
must be drifting down the waters of the Seine by now, rolled over and
over, perhaps, in the mud at the bottom.--Peste! To think of his having
the wit to destroy that mirror of mine! If I could only consult it now
I could make sure that he is out of my way.--Those fools are sometimes
possessed with certain cunning of their own." So he continued muttering
to himself, passing and repassing the wardrobe.
Presently he stopped in his walk and his soliloquy, and Oliver heard a
tinkling chink of china. It was Gaspard bringing in the chocolate. Then
he heard the sound of a chair drawn back, and then the faint gurgle of
the liquor poured into the cup, the rattle of the sugar in the bowl,
and the click of the spoon. There was a pause, and he could distinctly
hear the master take a sip. He replaced the cup.
"Now, then, Gaspard, the girl," said he; "bring her--" He stopped
abruptly, and a long pause of silence followed. "What!" at length
exclaimed the Count de St. Germaine. "Is it you again? What, then, do
you desire? This makes the third time this week. Listen! I have warned
you, I have besought you, but it seems that I can influence you neither
by the one nor the other. I am weary of this importunity. I will reason
no more. Gaspard!"
Oliver heard a quick step, a rustling, and then the sound of a fierce,
silent struggle. Heretofore he had been afraid to move in the wardrobe;
now he could resist no longer. He stooped, and peered through the
hole. Just across the room from him was Gaspard, grinning horribly as
he struggled silently with some one. Yes; it was with the woman whom
Oliver had followed there.
But that struggle lasted only for a moment. The next, Gaspard had drawn
his black bag over her head, as Oliver had seen him do once before.
Then the struggle instantly ceased, and she stood silent, immovable.
Gaspard picked her up, flung her over his shoulder, turned, and the
next moment had vanished out of the narrow range of Oliver's outlook,
who, however, still remained with his eye glued to the key-hole.
Suddenly an object intervened; it was the back of the master's
dressing-gown. Oliver could see nothing but just that little circle
of cashmere cloth; the master was not four feet away from him. The
cashmere cloth was innocent enough, but the sight of it filled Oliver
again with that blind, ungovernable rage. He straightened himself from
his observations at the key-hole. But as he did so his elbow struck
against the partition alongside of him. He heard a rustle, and knew as
well as though he had seen it that his master had turned quickly.
"What is that?" said the Count de St. Germaine's voice, sharply.
Public-domain text, read in full here on John Shaqi.
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