A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four ActsPyle, Howard
History
A Modern Aladdin; or, The Wonderful Adventures of Oliver Munier: An Extravaganza in Four Acts
Pyle, Howard
Alchemists -- Fiction; France -- History -- Louis XV, 1715-1774 -- Fiction; Saint-Germain, comte de, -1784 -- Fiction
Upon the floor lay stretched, bruised, battered, and bleeding, the
withered, shrunken figure of an aged man, his limbs a mass of dried
skin and bones. The yellow, parchment-like skin was stretched over his
head and his face so tightly that it seemed as though it would crack.
The shadow of death brooded upon him as he gazed with filmy, sightless
eyes into the dark hollow of eternity that lay beyond. His breast,
for a long time motionless, now and then heaved convulsively with the
laboring breath. Such was the vision that Oliver saw in that one
glance. Then he turned and walked away.
"Who was it, Oliver?" said Céleste.
Oliver answered never a word, but taking her by the hand, led her
forcibly down the stairs and out of the house.
EPILOGUE
There was a seven days' gossip in Paris. All manner of rumors were
afloat, for strange things had happened at the Hôtel de Flourens. The
marquis had had a sudden stroke of apoplexy upon the very day of his
daughter's wedding. But when they had called the family, she and that
handsome young husband of hers were nowhere to be found. They had left
the hôtel, and did not return again until long after nightfall. Where
they had been was a profound secret which they kept locked within their
own breasts. But the poor marquis, he was dying. He had never once
spoken since he had fallen under the attack. Dr. Raymond-Brasse, and
the other physicians who attended him, said that it would be little
less than a miracle if he lasted until Wednesday.
Presently other rumors began to get abroad. That vast, fabulous wealth
of the interesting Count de Monnière-Croix had vanished; not a crumb
of it was left. The debt had been paid off, both upon the château and
upon the hôtel, but that was all. It was almost inconceivable that the
marquis had squandered that stupendous fortune away in three months,
but how else could the matter be explained? It was all very strange and
mysterious.
Another thing agitated the world. The Count de St. Germaine had
vanished! He had gone! It was rumored that the Prince of Hesse-Cassel
had sent for him, and that he had departed. Certainly the Paris world
saw him no more.
AFTER THE PLAY.
Ting! A-ling! A-ling! Bring down the curtain, the extravaganza is
ended. The red and blue flames are quenched, the pasteboard scenery
is pushed back against the wall, the mock jewelry is tumbled into the
bandbox, and all the characters have gone into their dressing-rooms to
wash the paint off their faces. The lights are out, and nothing is left.
But what does it mean? Who was Monsieur de St. Germaine? Who was
Gaspard? Who was the old man who died just now? And that mysterious
woman, was she the better life of Nicholas Jovus, which he had
materialized along with the evil life? Was it possible that he could
not materialize the one without the other? Does it all mean--
Public-domain text, read in full here on John Shaqi.
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