As usual, she tried the effect of music first, and sang her sweetest
songs. She knew, of course, that he was watching her through a thin haze
of smoke; and felt almost magnetically the power of his eyes on her
face. Then, rising suddenly, she suggested an adjournment to the roof.
She felt, somehow, that they would both feel less restraint in the open
air and under the light of the moon.
He helped her to place the filmy lace mantilla, with its red roses, on
her head, and in doing so his fingers touched hers. She looked up,
thrilled and eager, the colour slowly spreading over her cheeks; and
struck by her expression, he returned her gaze with surprise. But they
exchanged not a word, and ascended to the garden in silence; and with
scarcely a remark he settled her comfortably in a deck-chair. Then he
lighted a fresh cigar, and puffed away in contentment, whilst the soft
breeze dispersed the smoke and gently caressed their hair.
“I have often wondered what the exact pleasure is that you men find in
the weed,” Zillah observed, thinking he had gazed long enough at the
deep blue of the sky. “I suppose it soothes you in a way we women cannot
understand.”
“I really don’t know.” He held the cigar between his fingers and
surveyed it contemplatively. “It’s all habit, I suppose; but I do think
a good cigar aids one’s mental digestion. And I know that if I am in a
bad temper, a quiet smoke will always pull me round.”
“‘Open confession is good for the soul,’” she quoted, with a smile. “I
hope that does not often occur.”
“What—the bad temper?”
“Yes; but _I_ ought not to say anything.” She sighed. “People in glass
houses should not throw stones. I am in a bad temper with everybody and
everything, most of all with myself.”
She spoke impulsively, and with such force that the young man glanced
towards her with wonder.
“Indeed,” he responded courteously. “That sounds rather depressing. May
I ask for what reason you have quarrelled with yourself?”
Zillah turned her face away, so that the moonlight caught her classic
profile.
“The reason—oh, simply that I am unhappy.”
“And why?”
Public-domain text, read in full here on John Shaqi.
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